Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

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ALBUM REVIEWS

Carlos Henriquez: Dizzy Con Clave

Read "Dizzy Con Clave" reviewed by Dan Bilawsky

In closing out the liner essay to this savory set recorded live at Dizzy's Club Coca-Cola, bassist Carlos Henriquez succinctly summarizes one of many important points worth noting about the legendary honoree: “Dizzy Gillespie is and always will be the American bridge to Afro-Cuban music," he states. But it need be noted that he doesn't just say this; he also backs it up. Henriquez shows us this truth through his stellar arrangements for what can only be described as an ...

ALBUM REVIEWS

Carlos Henriquez: The Bronx Pyramid

Read "The Bronx Pyramid" reviewed by James Nadal

A common attribute or quality that Latin musicians have is that they are innately connected and tuned into their cultural roots. As in the case of Carlos Henriquez, who holds the bass chair in the prestigious Jazz at Lincoln Center Orchestra. Though he performs straight ahead mainstream jazz at a high level with that collective, on his debut as leader The Bronx Pyramid, he goes deep into his Puerto Rican heritage combined with the amalgamated sounds of jny: New York ...