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Aaron Parks: Little Big II: Dreams of a Mechanical Man
by Pat Youngspiel
Back with his second effort under the Little Big moniker, Aaron Parks stretches out the concepts that had been established on the group's debut recording and presents an even tighter display of original jazz meets pop blended instrumentals. As on predecessor Little Big (Ropeadope Records, 2018), each bar and every measure of each track have been carefully conceived, logically constructed and unwound to form a complete picture. The foundations are through-composed, the band's interplay however is as dynamic and lively ...
read moreAaron Parks: Little Big II: Dreams of a Mechanical Man
by Mike Jurkovic
Upon initial listening, there is a deceptive lightness-of-being borne throughout Little Big II: Dreams of A Mechanical Man that may or may not come off to some, or most, as slightly too poppy a venture. But pianist Aaron Parks and his road-running cohorts, rock toned guitarist Greg Tuohey, bassist David Ginyard, Jr and drummer/percussionist Tommy Crane, are intuitive dealers with aces high up their collective sleeve. Hewn from the same lithe, exploratory spirit which sparked his communicative 2008 ...
read moreMelissa Aldana: Visions
by Serena Antinucci
L'ultimo progetto della sassofonista cilena Melissa Aldana, governato da invasioni e tensioni musicali, è il ritratto schietto della vita nel suo continuo divenire, fatto di stacchi improvvisi, passi indietro e sguardi critici sulla realtà. In Visions (Motéma Music, 2019) ci sono architetture sonore difficili da verbalizzare e, a volte, le parole scompaiono timidamente sommerse dai suoni. Gli undici brani del disco sono il risultato di un profondo studio, di una vitalità trascinante, a volte mista al dolore. Aldana, ...
read moreMelissa Aldana: Visions
by Friedrich Kunzmann
Compositional and instrumental virtuosity always walks along a razor's edge between self-indulgence and purposeful accomplishment. On Visions, sought after saxophonist Melissa Aldana proves that she doesn't only master balancing this edge but that she can also go beyond the complexities of structure, scales and improvisation and naturally create her very own musical aesthetic. In interplay with an all-star cast of equally dynamic sidemen—Sam Harris on keys, Pablo Menares on bass, as well as drummer Tommy Crane and Joel Ross adding ...
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