Articles

Markus Reuter featuring Sonar and Tobias Reber: Falling for Ascension

By Glenn Astarita

Billed as a minimalist groove band, the Swiss musicians performing under the moniker Sonar recently collaborated with experimental guitar hero David Torn on the widely heralded, Sonar with David Torn (Rare Noise, 2018). And here, they merge their unique craft with one of the reigning touch style guitar pioneers, Markus Reuter along with his partner from Stick Men and active King Crimson member, Tony Levin (Chapman Stick) and Security Project, ex-King Crimson WARR guitarist Trey Gunn. Here, Reuter and live ...

Tim Motzer / Markus Reuter: Descending

By Sid Smith

Sometimes, with albums built from file-shared overdubs, the sum of the parts can be greater than the whole. Happily the reverse is very much the case with this engaging collaboration between guitarists Tim Motzer and Markus Reuter. The core of this elegantly dreamy music was recorded at a concert given by the duo in 2008, with guest contributions added over the following couple of years. As a result, the original improvisations have been weathered and abraded with ...

Markus Reuter: (R)Evolutionary Touch Guitarist

By Jeffrey L. Melton

German touch guitarist Markus Reuter stands at the forefront of the international ambient music community. From his various collaborations with King Crimson alumni and electronic music pioneers Ian Boddy and Robert Rich, Reuter has crafted a busy schedule of his own recordings, lent his own ear and expertise to engineering and production work in parallel with leading classes on the unusual 8-stringed instrument he uses to promote his art. This interview is the first of two parts documenting Reuter's efforts ...

Markus Reuter: Digitalis

By AAJ Staff

Hypnos Recordings always brings us fascinating music. Digitalis comes from Markus Reuter in Germany. Like Hypnos' Jeff Pearce, Reuter uses only electronically modified and custom-built guitars to make his sounds, and as in much of Pearce's work, Reuter records “real-time." Again like Pearce, you'd never know that Reuter was playing a guitar or any other stringed instrument - it sounds just like a synthesizer.

Despite the commonalities, Reuter and Pearce are very different. Reuter, in Digitalis , uses the overwrought ...