Home » Jazz Articles » Album Review » Kat Gang: Kat Gang
Kat Gang: Kat Gang
The Boston-born, New York-based Gang lives a double life as actress and singer, but both of those worlds converge here. Gang understands that singing isn't just about accurate pitch, pleasant timbre and memorized lyrics; singing is about living within the meaning and circumstances of a song and that's where her dual talents serve her best. She has clarity and focus in her delivery, understands the intentions of the writers and makes it all sound easy, despite the fact that it's clearly not.
Gang's partner on this abbreviated journey is pianist Tedd Firth, who has no shortage of experience in this particular environment. His credits include work with singers like Hilary Kole, Brian Stokes Mitchell, Joan Crowe, Maureen McGovern and Tony DeSare, to name just a few. He's been firmly ensconced in the "singer's pianist" category for quite some time and helps magnify the supper club suggestions in Gang's voice through his own tasteful playing. Together, they take an appropriately measured approach through "Say It," "How Sweet You Are" and "Something To Remember You By." Irving Berlin's "The Best Thing For You" proves to be the only number with some spring in its step. Firth keeps things lively, while Gang scats in unison with his piano lines and makes a convincing argument with the song's lyrics.
It's unclear whether brevity here is born out of artistic intentions, time constraints, financial concerns or other matters, but 'tis better to appreciate what's here than to dwell on what's not..
Track Listing
Say It; How Sweet You Are; The Best Thing For You Is Me; Something To Remember You By.
Personnel
Kat Gang
vocalsKat Gang: vocals; Tedd Firth: piano.
Album information
Title: Kat Gang | Year Released: 2013 | Record Label: Self Produced
About Kat Gang
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






