Home » Jazz Articles » Album Review » Masabumi Kikuchi Trio: Sunrise
Masabumi Kikuchi Trio: Sunrise
On Sunrise, his ECM debut, Kikuchi brings Motian back into the fold (for one of the late drummer's last recording sessions), along with bassist Thomas Morgan for a trio recording of "spur-of-the-moment" sounds. They create a set of diaphanous and delicately beautiful tunes laid down in the sparest of fashions, where each nuance of the music can be savored and pondered to the fullest. Motian, in particular, has always been a master of whisper-soft subtlety, from his early days with pianist Bill Evans until his sideman contribution to pianist Augusto Pirodda's No Comment (Jazzwerkstatt, 2011).
The recording session was of the "no rehearsal, no discussion" varietythree players in the studio, roll the tape. These master musicians make this work, paring down sound to its essentials. Each player is by turns proactive and/or reactive, gently inciting ideas or following a lead into feather-light interplay. The interactive trio is not always an equilateral triangle; there are times when Kikuchi and Motian converse with an unpredictable Zen-like cordiality, with Morgan inserting one perfect note. Other times, as on "Short Stuff," the three-way back and forth becomes lively, the bursting flutters of the wings of a flushed flock of birds. The title tune unfolds in slow motion, a flower blooming in a dreamy but inexorable pace. The entire set has a "sound track to a dream world" quality, and it is a world of surreal and subtle scintillations, cryptic whisperings, and nebulous beauty.
More ECM recordings by Kikuchi are reportedly in the works. This is an excellent thing.
Track Listing
Ballad I; New Day; Short Stuff; So What Variations; Ballad II; Sunrise; Sticks and Cymbals; End of Day; Uptempo; Last Ballad.
Personnel
Masabumi Kikuchi
pianoMasabumi Kikuchi: piano; Thomas Morgan: bass; Paul Motian: drums.
Album information
Title: Sunrise | Year Released: 2012 | Record Label: ECM Records
About Masabumi Kikuchi
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







