If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.
You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...
Keyboard ace Dan Siegel's music has "contemporary chic" written all over it. Having worked a smooth seam for decades and crafted a fair amount of music for television and film, he knows a thing or two about putting together a tight arrangement, pulling from different stylistic sources, contracting the right players for a job, and producing a record with nary a rough edge to be seen. All of that knowledge and all of those skills were put to good use in the act of creating Origins.
With a band of L.A. session greats in tow, Siegel delivers ten polished numbers tied to different ideals within a similar sound and mood scheme. On "Rite Of Passage" he establishes the dynamic of this project, exploring a form of cool-headed funk that shifts to double-time in its final act; with "After All" Siegel stares at the stars in the night sky, inviting Andalusian allure into his glossy designs through the presence of wordless vocals and acoustic guitar; in "Arabesque" he manages to miraculously turn wistfulness into a tool of seduction; and during the album-closing title track he injects a series of bluesy elements into the mix.
The musicianship across these ten tracks is top notchuber drummer Vinnie Colaiuta, percussion great Lenny Castro, bassist/co-producer Brian Bromberg, and the rest are essentially beyond reproach in that respectbut the band does occasionally get a tad too comfortable working in subdued realms. With thoroughbreds like these on the date, it would have been nice to see how they run together. But far better to appreciate what is here than lament what might have been. It's true that Siegel's vision plays to even-keeled thoughts instead of excitability, but it plays that line to perfection.
Track Listing: Rite Of Passage; When One Door Closes; After All; Lost And Found; Arabesque; Moon And Stars; Strange Sky; Under The Sun; Crossing; Origins.
Personnel: Dan Siegel: keyboards; Allen Hinds: electric guitar; Ramon Stagnaro: acoustic guitar; Craig Fundyga: vibraphone; Rogerio Jardim: vocals; Brian Bromberg: acoustic bass; Vinnie Colaiuta: drums; Lenny Castro: percussion
I love jazz because of its ability to evoke such tremendous emotion... primarily joy!
I was first exposed to jazz by my grandparents.
The first jazz record I bought was Jim Beard's Song of the Sun or maybe Steely Dan's Aja.
My advice to new listeners: remain varied in your listening habits, and of course keep listening, keep listening, keep listening!
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.
Thanks for joining the All About Jazz community!