Home » Jazz Articles » Album Review » Mal Waldron Quintet with Steve Lacy: One-Upmanship

237

Mal Waldron Quintet with Steve Lacy: One-Upmanship

By

View read count
Over twenty years after its first release, One-Upmanship appears for the first time on compact disc, and it is a most welcome reappearance. The appearance of any recording by Mal Waldron should be a cause for celebration, but this one is particularly special for a number of reasons. Not only is Waldron joined by his longtime duo partner, soprano saxophonist Steve Lacy, but by three other performers with a keen simpatico: trumpeter Manfred Schoof, bassist Jimmy Woode, and drummer Makaya Ntshoko. The playing of each of these men, including Waldron, on One-Upmanship should alone be enough to give them unsung hero status.

As if that weren't enough, on this CD reissue three solo piano tracks have been added: "Duquility," "Thoughtful," and Waldron's most famous tune, "Soul Eyes." Waldron has recorded solo infrequently, and yet always brilliantly, so these are a treat. Since his late Fifties stint as Billie Holiday's pianist, and his recordings in those days with John Coltrane and Eric Dolphy, Waldron's piano style has matured and evolved into a compact, highly dramatic form that should rank him with the best jazz pianists of the last forty years. These three performances illustrate that abundantly. He can drive as hard as McCoy Tyner or even Cecil Taylor, yet can spin melodic figures with all the gossamer of Bill Evans. He has been called unmelodic, a charge I think unjustified. He does tend to work small melodic cells until they transmute into new ones: a hypnotic tension-building effect that gives his playing a particular dynamic power.

Aside from the solo numbers, this set includes the multifaceted title track, the delicate "Seagulls of Kristiansund," and the rousing "Hooray for Herbie." Lacy plays with emotional restraint wrapped in breathtaking virtuosity, as in his extended upper-upper-register fadeout on "Seagulls." Schoof sets him off with ferociously fluent solos at the opposite end of the emotional spectrum. And Mal Waldron - well! There is a point where words fail.

Absolutely first-rate jazz. Highly, highly recommended.

Tags


PREVIOUS / NEXT




Become a Sustaining Member

Get the Jazz Near You newsletter

Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.

Help Build the Future of All About Jazz

Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.

Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.

Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.

More

Airborn
Eddie Parker's Airborn With Rob Luft
Slow Down For Turtles
Luca Benedetti
Relocate
Andres Thor
A Distant Land
Rich Halley 4

Popular

Desolation Row
David Maranha / Rodrigo Amado
2014 NYC
King Crimson
Beneath Lifted Skies
Linda May Han Oh & Melissa Aldana
Talamanti
Patricia Brennan and Sylvie Courvoisier

Get more of a good thing!

Our weekly newsletters highlight our top stories, top album reviews, website news, free songs, radio & podcast shows, news, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.