Home » Jazz Articles » Album Review » Harley Card: Non-Fiction

163

Harley Card: Non-Fiction

Harley Card: Non-Fiction
This record certainly does not feel like guitarist Harley Card's debut CD. It jumps at you much like the fifth or sixth record! This suggests a high degree of polish and maturity not just in technique, but also in the dynamics of Card's approach to the guitar, the individuality of his voice, the complex beauty and daring of the compositions. It is also a slick production, but if you think this is a calculated effort, perish the thought. Card knows exactly what he wants his music to be and sets about with confidence to achieve it. For starters he is acutely aware that he comes from a long line of quite-brilliant Canadian guitarists—from Ed Bickert and Lorne Lofsky, Reg Schwager and Andrew Scott... and there is also the fact that Card has a world-view that we get to glimpse with eight fine compositions.

Card's musical sensibility is fully formed and urbane. His writing reflects a sense of history and is therefore worldly wise. This is probably why he can, at times, be daring in the rhythmic and harmonic invention of his compositions. His writing can also be graphic and narrative where he allows the musical idea to develop. Also idioms and genres blend mellifluously in his work—that he can pluck our of an acoustic guitar—in darting single-note runs as in "Ghosts" as well as block chords as in the back end of "Albany." Another feature of the recording is the way Card plays off his cohorts on the date. Mostly it is pianist, Matt Newton, who appears to—in his own spare style—identify the core idea of the song and embellish it by exploring each in exactly the right direction of its development. Newton has a beautiful, spare style, using the space between the sounds of notes to provide new ideas for the song's direction. The pianist is also consummate listener, which accounts for the almost symbiotic relationship with Card. Having said that, Card also provides ample room for bassist Jon Maharaj and the superb percussionist Ethan Ardelli to add a fine harmonic and rhythmic dimension to the music.

The songs are fully formed in themselves. The titles are cryptic. This allows the composer to almost only suggest or hint what is to follow as you wait for the song to start. It also allows for the musicians to use their instruments to evoke visually or as a narrative—sometimes both—the direction of the musical expedition, so that the listener is transported to a place where it all comes together in a definitive way. Whether it is the more familiar topography of a song entitled "Albany" or the Zen-like spiritualism of "Samadhi..." with its probing lines and harmonic and percussive explorations from Maharaj and Ardelli respectively, pursuing the darting of the soul! This is very evocative music indeed! The title track is based on a few changes played, like chess-pieces, in a series of seemingly random sequences, until the taut melody is almost wailed out by Card. Maharaj in a rare solo is most imaginative... Card is a guitarist you want to watch for in future!

Track Listing

Soft Bank; Fruition; Albany; Right Arm; Ghosts; Vices; Samadhi; Non-Fiction.

Personnel

Harley Card
guitar

Harley Card: electric and acoustic guitars; Matt Newton: piano and rhodes; Jon Maharaj: bass; Ethan Ardelli: drums.

Album information

Title: Non-Fiction | Year Released: 2008 | Record Label: Dymusic

Tags

Comments


PREVIOUS / NEXT




Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Tramonto
John Taylor
Ki
Natsuki Tamura / Satoko Fujii
Duality Pt: 02
Dom Franks' Strayhorn
The Sound of Raspberry
Tatsuya Yoshida / Martín Escalante

Popular

Old Home/New Home
The Brian Martin Big Band
My Ideal
Sam Dillon
Ecliptic
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders
Lado B Brazilian Project 2
Catina DeLuna & Otmaro Ruíz

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.