Minneapolis - One of the hottest and most unique celebrity driven Podcast to hear some of Billboard's chart topping award winning music producers, composers, arrangers, vocalists and engineers discuss their production techniques and preferences, influences, song structure, music instruments, genre, style and their craft, state of the art recording equipment, background and upcoming projects is: The Producer's Corner with Spud Too Tight on iTunes Podcast.
Edgy R&B/Smooth Jazz Music Producer/Composer Spud Too Tight is also prolific and gifted on keyboards, guitar/bass, drum programming, engineering and is an avid Logic Pro 8 and MacBook Pro user. He has been in the game for nearly 20 years composing and producing that 'It Factor" music for indie artists, released Pop/R&B music on iTunes, Smooth Jazz Music PSA's for some of Hollywood's Icons, tracks for radio and television commercials, Smooth Jazz FM.
“Spud's New Zone" is one of the feature songs played on his website and an appetizer for his winter/spring CD release. Spud Too Tight is one of the “Go To" music producers for that edgy defined sound, and unequivocally shares his knowledge about Logic Pro 8 and other producing techniques. He has a four year Publishing/Administration deal with one of the industry's leading companies in North America, Missing Link Music.
“My passion is to help educate new to the game, upcoming music producers/engineers and composers understand the music production realities of making great songs, and interacting with music celebrity Icons on the show gives the listeners resources to learn from the best. Hosting a podcast on ITunes and having a website with “Tech Talk" discussion forums and additional information reaches those audiences" says Spud Too Tight.
This week The Producer's Corner with Spud Too Tight and Mega Music Producer Roy Hamilton III got seriously into the nuts and bolts of using Logic Pro 8, production techniques, soft synths, keyboards, and discussed why major Music Producer Legends Teddy Riley and Quincy Jones were such a huge influence earlier in their music careers.
ABOUT MUSIC PRODUCER ROY HAMILTON III
Some of the most dynamic change in the world is sparked by the simplest of ideas. At just 29-years-old, Roy “Royalty" Hamilton III is already an industry vet with over a decade of musical hits, power moves and executive decisions under his belt. As a producer, songwriter, composer, performer, director and consummate business man, Hamilton is ready to unleash his own brand of empowerment through music.
From childhood, New York-born, New Jersey-raised Roy Hamilton III possessed inspiration and innate ambition that grew into a multitude of ideas for the future. Taking inspiration from his Jamaican heritage and upbringing immersed in American Pop culture, Hamilton made his own lane. His vision evolved into an obsession to make a difference with the next generation of music hopefuls in his region, and ultimately the world at large.
“I feel like my life itself gave me an advantage since birth," explains Roy. “My grandfather, Roy Hamilton, was a renowned star in his day. Growing up, my parents kept me around music, and my father's Godfather is BB King. When I turned 16, I started performing locally in the Atlantic City area, then I met R.Kelly at 17. So it's just like my steps have been in order, kind of a divine order, and I can't even say how."
Prior to his days in the office, Roy's production included work on albums for the likes of N'Sync, Britney Spears, Nas, Michael Jackson,Samantha Mumba and Keith Sweat. He produced the #1 hits “Stutter" for Joe (Pop) and “Liar" for Profyle (R&B), as well as Top 20 hits “Friend of Mine (Rmx)" for Kelly Price and “Wanna Do You Right" for K-Ci and JoJo. During his tenure at Capitol Records, Roy helped to develop projects for LeToya Luckett, Chingy, MIMS, J. Holiday and more. Additionally, he served as the Musical Director on two tours for The Cheetah Girls ('06-'07).
“As a part of my mission statement, I believe it's time for things to be illuminated. I think music is in a dark place, with people compromising anything for a dollar. I've always been blessed enough not to have to do that, and it's been tough for me to figure out how to stay relevant and still keep my morals intact. I don't believe in doing stuff just to be doing it, so people should know what they're going to be hearing from me. I don't curse in my music, and future productions will all be consistent with this same mission statement. “The Invisible Man" is my testimony."
Edgy R&B/Smooth Jazz Music Producer/Composer Spud Too Tight is also prolific and gifted on keyboards, guitar/bass, drum programming, engineering and is an avid Logic Pro 8 and MacBook Pro user. He has been in the game for nearly 20 years composing and producing that 'It Factor" music for indie artists, released Pop/R&B music on iTunes, Smooth Jazz Music PSA's for some of Hollywood's Icons, tracks for radio and television commercials, Smooth Jazz FM.
“Spud's New Zone" is one of the feature songs played on his website and an appetizer for his winter/spring CD release. Spud Too Tight is one of the “Go To" music producers for that edgy defined sound, and unequivocally shares his knowledge about Logic Pro 8 and other producing techniques. He has a four year Publishing/Administration deal with one of the industry's leading companies in North America, Missing Link Music.
“My passion is to help educate new to the game, upcoming music producers/engineers and composers understand the music production realities of making great songs, and interacting with music celebrity Icons on the show gives the listeners resources to learn from the best. Hosting a podcast on ITunes and having a website with “Tech Talk" discussion forums and additional information reaches those audiences" says Spud Too Tight.
This week The Producer's Corner with Spud Too Tight and Mega Music Producer Roy Hamilton III got seriously into the nuts and bolts of using Logic Pro 8, production techniques, soft synths, keyboards, and discussed why major Music Producer Legends Teddy Riley and Quincy Jones were such a huge influence earlier in their music careers.
ABOUT MUSIC PRODUCER ROY HAMILTON III
Some of the most dynamic change in the world is sparked by the simplest of ideas. At just 29-years-old, Roy “Royalty" Hamilton III is already an industry vet with over a decade of musical hits, power moves and executive decisions under his belt. As a producer, songwriter, composer, performer, director and consummate business man, Hamilton is ready to unleash his own brand of empowerment through music.
From childhood, New York-born, New Jersey-raised Roy Hamilton III possessed inspiration and innate ambition that grew into a multitude of ideas for the future. Taking inspiration from his Jamaican heritage and upbringing immersed in American Pop culture, Hamilton made his own lane. His vision evolved into an obsession to make a difference with the next generation of music hopefuls in his region, and ultimately the world at large.
“I feel like my life itself gave me an advantage since birth," explains Roy. “My grandfather, Roy Hamilton, was a renowned star in his day. Growing up, my parents kept me around music, and my father's Godfather is BB King. When I turned 16, I started performing locally in the Atlantic City area, then I met R.Kelly at 17. So it's just like my steps have been in order, kind of a divine order, and I can't even say how."
Prior to his days in the office, Roy's production included work on albums for the likes of N'Sync, Britney Spears, Nas, Michael Jackson,Samantha Mumba and Keith Sweat. He produced the #1 hits “Stutter" for Joe (Pop) and “Liar" for Profyle (R&B), as well as Top 20 hits “Friend of Mine (Rmx)" for Kelly Price and “Wanna Do You Right" for K-Ci and JoJo. During his tenure at Capitol Records, Roy helped to develop projects for LeToya Luckett, Chingy, MIMS, J. Holiday and more. Additionally, he served as the Musical Director on two tours for The Cheetah Girls ('06-'07).
“As a part of my mission statement, I believe it's time for things to be illuminated. I think music is in a dark place, with people compromising anything for a dollar. I've always been blessed enough not to have to do that, and it's been tough for me to figure out how to stay relevant and still keep my morals intact. I don't believe in doing stuff just to be doing it, so people should know what they're going to be hearing from me. I don't curse in my music, and future productions will all be consistent with this same mission statement. “The Invisible Man" is my testimony."
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