
Gonsalves' entire career is overshadowed by one event, his spectacular solo on Duke's Diminuendo in Blue and Crescendo in Blue" at the 1956 Newport Jazz Festival, which contained an astounding twenty-seven choruses. This was one of the first impactful extended sax solos in modern jazz history. The crowd went wild and it was a huge comeback for Ellington. (The performance can be heard on Ellington At Newport 1956 and here is a 1958 concert version from The Netherlands that gives some flavor of the Newport date, although before a much more restrained audience.) But in addition to his more straight-ahead melodic playing with Ellington (critic Gary Giddins called his playing all liquid rhapsody," although I've always heard a somewhat rougher edge in it), Gonsalves was an inventive player throughout his career and an experimenter with tonalities on the tenor sax. This can be heard to better advantage on some of his small group recordings, such as Gettin' Together (1961) and Tell It the Way It Is! (1963).
Unfortunately, alcohol and narcotics abuse cut Gonsalves' life short. He died in 1974, just nine days before Duke Ellington's death.