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Nicholas Urie made an impressive footprint with the release of his Excerpts From and Online Dating Service (Red Piano Records, 2009). The composer/arranger modus operandi changes little on My Garden, where he takes his texts from the poetry of West Coast writer Charles Bukowski (1920-1994), and weaves them into provocative and often violent tapestries of contemporary big band sounds.
Bukowski was a gutter poet laureate, who at the height of his popularity, labored in a Post Office job. He wrote in "dirty realism," the impolite language and cadence his Los Angeles home, straight from the streets and skids. Urie already proved himself creative in finding a "book" for his music and the composer's adoption of Bukowski is in perfect keeping with that.
Urie is a master of revealing sonic tactility, the feel of sound. He does this with equal ability, whether in the rhythm section, where he marches with the quiet militancy of a feather army ("For Crying Out Loud"), or in the chaotic frenzy of squeaking trumpets or sputtering low brass ("Finality"). "The Lioness" proceeds like a Wiemar Berlin opium dream, as does "Lean," a baritone saxophone solo gushing from the gaping wound of the arrangement. Urie structures his arrangements around the given atmosphere of a poem, atmospheres as depraved and venal as the online texts he used for Excerpts From and Online Dating Service.
This is not pretty music, nor is it particularly easy to listen to. But this makes it no less genius. This is music of high intelligence that expects as much as it provides, and what it provides is a listening experience like little else in our barren sonic desert.
Track Listing: Winter: My 44th Year; Round and Round; My Garden; For Crying Out Loud;
Lioness; Slaughterhouse; Lean; Finality.
Personnel: Jeremy Udden: soprano saxophone; Douglas Yates: alto saxophone,
clarinet; Kenny Pexton: tenor saxophone; Brian Landrius: bass clarinet;
Albert Leusink: trumpet; Ben Holmes: trumpet; John Carlson: trumpet;
Alan Ferber: trombone; Max Seigel: bass trombone; Frank Carlberg:
piano and Fender Rhodes; John Herbert: bass; Michael Sarin: drums;
Nicholas Urie: composer and conductor.
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.