In a diverse music career spanning several decades, keyboardist/arranger Pete Levin has performed and recorded with hundreds of Jazz and Pop artists - including Paul Simon, Annie Lennox, Miles Davis, David Sanborn, Lenny White, Wayne Shorter, Jaco Pastorius, Robbie Robertson and John Scofield - receiving critical accolades for his work during a 15 year association with the legendary Gil Evans, and his 8 year stint with jazz icon Jimmy Giuffre. Says Levin,
“What I got from Gil was the unshakable notion that playing music was to create from a place where there are no boundaries. If it can be imagined then it can be done.”
With “DEACON BLUES,” for Motema Music, Pete re-emerged in 2007 as a band leader and master of reinvention, embracing his roots and first love, the Hammond Organ. Working with a group of iconic jazz sidemen (Joe Beck, Danny Gottlieb, Tony Levin, Mike DeMicco) Levin and company demonstrated an uncanny chemistry that was immediate and infectious. Pete followed up in 2008 with "CERTIFIED ORGANIC", continuing to push the envelope of the classic organ trio. In addition to his soaring Hammond, he demonstrates once more that he knows how to feature his sidemen, giving plenty of playing space to the 4 guitarists on the album - John Cariddi, Joe Beck, Mike DeMicco & Jesse Gress - as well as saxophonist Erik Lawrence and drummer Harvey Sorgen.
While playing French Horn with the Gil Evans Orchestra in the early 70s, Levin brought a Moog Synthesizer to a gig at New York’s Village Vanguard. Already known as a “go to” synthesizer specialist, Pete was at the vanguard of that technology. Gil loved it and Levin’s role was permanently changed as the band transformed itself into the electric/acoustic hybrid ensemble that captivated audiences worldwide for years, winning two Grammy® awards along the way.
“I started bringing a Clavinet, too. Eventually Gil brought John Clark into the band because I couldn’t get back to my horn in time. After a while, I just stopped bringing it. Name another band leader that would let a sideman do that! I owe him a lot.”
An in-demand New York session keyboardist, Levin has also created electronic realizations for hundreds of TV commercials, dramatic series and feature films, including “Missing in Action,” “Lean on Me,” “Silver Bullet,” “Red Scorpion,” “The Color of Money,” “Maniac,” “Spin City,” “America’s Most Wanted” and “Star Trek.” In a dizzying array of unrelated commissions, Levin composed orchestral scores for the feature film “Zelimo” and for a stage production of “The Dybbuk;” had the honor of composing the anthem for the 1992 United Nations Earth summit, “The Future is in Our Hands,” performing it twice for the U.N. General Assembly; and, as far removed from Jazz as it gets, was awarded the Army Commendation Medal for writing the official military band arrangement of the U.S. Infantry song.