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No-Man
The name no-man was adopted in 1990 and first used on the self-released June 1990 single release, Colours.
Originally creating a sample-based proto-trip hop / ambient styled music, no-man’s sound has become more organic, eclectic and band-oriented in subsequent years.
On labels such as One Little Indian, Sony, Adasam and Kscope, the band has so far produced six studio albums and a number of singles / outtakes collections, most notably, 2006's career retrospective, All The Blue Changes.
no-man's most recent studio album, Schoolyard Ghosts, was released in May 2008 and received some of the most favourable reviews of the band's career (being described as "truly sublime" by Classic Rock magazine).
Mixtaped - a double DVD package including a film of the band's sell-out London performance in 2008, a career profiling documentary and assorted promotional videos - was released in October 2009. Source: no-man
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No-Man: Love You to Bits

by Geno Thackara
Sometimes a new album is what happens when you're busy making other plans. Fittingly enough, plans for this duo have always been something of a joke anyway; No-Man's career has criss-crossed the whole spectrum of styles precisely because they've always been willing to follow unexpected ideas as the mood hits. It's also the reason the band had been back-burnered for several years while Tim Bowness and Steven Wilson pursued a range of other endeavors, solo and with a variety of ...
Continue ReadingNo-Man: Together We're Stranger

by John Kelman
No-Man Together We're Stranger (remastered/expanded)Kscope2014 (2003) With Steven Wilson on the cusp of releasing Hand. Cannot. Erase. (Kscope, 2015), and Tim Bowness' Abandoned Dancehall Dreams (Inside Out, 2014) one of 2014's best releases, now's as good a time as any to revisit the pair's music together as No-Man--specifically, Together We're Stranger (Snapper, 2003), reissued last year on Kscope in a remastered and expanded edition that sounds even better on the Tetra listening instruments that were ...
Continue ReadingBackgrounder: Buddy Collette - Man of Many Parts

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JazzWax by Marc Myers
West Coast jazz in the 1950s wasn't exclusively a white enterprise. There was a significant number of black jazz artists in Los Angeles then as well who played in the breezy, contrapuntal style. But in the late 1940s and early '50s, black jazz artists were largely isolated as a result of the segregated locals of the American Federation of Musicians. Black musicians belonged to Local 767 while whites belonged to Local 47. In April 1953, Local 47 was amalgamated with ...
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Automatic Man Legend Todd Cochran Releases 'From The Vault: Notes For The Future'

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Glass Onyon PR - Keith James
Notes for the future are the “imagined sometime in the past” tropes of a storyteller. Freed from every day “isms” of convention and released from the symbolic containment of the vault, the music is an allegorical exploration in futurism. The stream running throughout the musical narrative is a speculative commentary about our human search for meaning, and we’re reminded that as a version of our ancestors’ vision, this quest never ends. From The Vault is structured around a sequence of ...
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Pianist/Composer Yelena Eckemoff Presses Forward With Her Bold, Conceptual Vision Of Jazz On 'Lonely Man And His Fish,' Due April 28

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Terri Hinte Publicity
Pianist-composer Yelena Eckemoff's body of elaborate, ambitious jazz concept albums reaches a new virtuosic summit with Lonely Man and His Fish, to be released April 28 on her own L&H Production label. A double-CD set, the album is also a long-form parable, a story of deep affection between a human and his beloved pet. An all-star lineup—cornetist Kirk Knuffke, flutist Masaru Koga, bassist Ben Street, and drummer Eric Harland—helps Eckemoff breathe life into the tale. Eckemoff, who is an artist ...
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Saxophonist Aaron Liddard (Prince, Amy Winehouse & Maceo Parker) releases 'Nylon Man' on October 7, 2022

Source:
Scott Thompson Public Relations
October 7, 2022 Release Date: Nylon Man Nylon Man is the new album by saxophonist-keyboardist-arranger-composer Aaron Liddard, released on 7th October on the British independent label Havis House. Featuring a plethora of guest contributions from the likes of Carleen Anderson, Omar Puente and Miss Baby Sol, Nylon Man is 12 tracks of jazz by a UK-based artist, influenced by music of Europe, North and South America, the Caribbean and Africa. In his prolific and wide-ranging career, saxophonist-keyboardist-arranger-composer Aaron Liddard has ...
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Man Who Came to Dinner

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JazzWax by Marc Myers
One of my favorite Thanksgiving movies is The Man Who Came to Dinner, with Monty Woolley and Bette Davis. The plot, in a nutshell: A cranky, world-renowned author (Woolley) injures his back and must spend the holidays with his cosmopolitan assistant (Davis) confined to a house in small-town Ohio, ordering people around and causing trouble for those he cares about most. This cheery and cozy wartime film has all the charm of a fireplace. Directed by William Keighley, the film ...
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King Crimson's David Cross & No-Man's Andrew Booker's Unreleased 2006 Album Ends Meeting

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Glass Onyon PR - Keith James
David Cross was a member of King Crimson during the 1970s and Andrew Booker was a member of No-Man, Sanguine Hum and Peter Banks’s Harmony in Diversity. This PREVIOUSLY UNRELEASED STUDIO ALBUM was recorded in 2006 but had not seen a release until now. David Cross said of the release “I met Andrew some years ago when the David Cross Band were touring with Pete Banks's Harmony and Diversity. Andrew was the drummer with that band and we got together ...
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Tony Adamo and Roger Smith of Tower Of Power Collaborate on "Rain Man Make it Rain Love my Way"— Becomes All About Jazz Top Track

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Jim Eigo, Jazz Promo Services
Tony Adamo on his collaboration with Roger Smith... My Tower of Power (TOP) connection goes back more than 20 years to a recording session in Dave Hartel’s studio in Half Moon Bay, California. Hartel was the organ player for Lydia Pense and Cold Blood at the time, and brought in Mic Gillette and Skip Mesquite to lay down the horn tracks on one of my new songs. From that session Mic and I became fast friends. He continued to write ...
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John Plonsky: Cool Man Cool

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JazzWax by Marc Myers
The 1950s are a gold mine of lost trumpeters. No matter how many times I comb discographies, I come across another solid horn player whose name is likely unfamiliar to many jazz fans. On Monday I posted about Johnny Glasel and his Brasstet. Today, I'm looking at John Plonsky and his sole leadership album, Cool Man Cool (1957). First, a little background on Plonsky. Little is known about the tumpeter, but here's what I could piece together from a bit ...
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Tony Adamo's Rain Man "Make It Rain Love My Way" Music Review

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Jim Eigo, Jazz Promo Services
Tony Adamo, again channeling a bit of a Gil Scott-Heron vibe, though decidedly less political and less spoken-word and more seductively crooned-word, sounds even more confident and casual here—a casual confidence that matches the sophistication and brio and just-plain fun times his bandmates are having. Essentially just another jazz tune about the end of a love affair, “Rain Man” could’ve been prosaic or depressive. Not at all. Adamo, sounding as much like a suaver version of Lou Rawls as Scott-Heron, ...
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Jazz Weekly And Scott Yanow Review Tony Adamo's Rain Man "Make It Rain Love My Way"

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Jim Eigo, Jazz Promo Services
I usually don’t review singles, but Tony Adamo is just so good to the bones that nothing he does can be ignored. Here, he teams up with Tower of Power keyboardist Roger Smith and with a team that is so loose that you have to get regular treatments from a chiropractor to dance to it. Adamo delivers his street wise lyrics about life and love, while the bass is slapped around like Cagney’s girlfriends and the drums snap like Pavarotti’s ...
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"Conceivably the most important English group since The Smiths..." Melody Maker
"Can easily be measured with the best work of similarly unclassifiable acts like Japan and Talk Talk..." OOR Magazine
"The power of great pop." D.D.D.