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Rebecca Trescher
Rebecca Trescher was born in Tübingen in 1986. She lives and works as a freelance composer, clarinetist, and bandleader in Nuremberg and Berlin. Driven by boundless curiosity and the joy of experimenting with both jazz and symphonic contemporary music, she has acquired an outstanding reputation in the German and international jazz scene. Her compositional ideas are closely related to nature: her music is both grounded and ethereal. Her role models include musicians as varied as Björk, Bob Brookmeyer, Miles Davis, Gil Evans, Radiohead, Maurice Ravel, Wayne Shorter, Igor Stravinsky, and Questlove. In her compositions, Trescher creates a unique sound world that is associative and organic rather than provocative. Critics and audiences alike have been fascinated by her ability to use only a few notes to transform a serene musical atmosphere into poetic arcs of tension at a symphonic scale.
Rebecca Trescher grew up in a family with four siblings. She discovered her passion for the clarinet as a child. To pay for classical music lessons and later her university studies, she soon began to take temporary jobs. In addition to the clarinet, she also learned to play flute, guitar, and electric bass. She was fascinated by improvisation at a very early age and began to develop melodies on the clarinet and bass. She studied jazz clarinet and composition at the Hochschule for Music in Nuremberg from 2008 to 2015, receiving both a Diploma and a Master of Music degree. She also earned a further Master’s Degree in composition from the Hochschule for Music and Theater in Munich.
Rebecca Trescher is a frequent guest at prominent festivals. Her concerts are regularly recorded and streamed by the Bavarian Radio and Arte. On international concert stages, she performs most frequently with the Rebecca Trescher Tentet and the Rebecca Trescher Quartet, but also as a soloist and as a duo with the Greek guitarist Giorgos Tabakis. She has received numerous prizes and scholarships, including a stipendium from the Kunststiftung Baden-Württemberg in 2014, the city of Nuremberg’s Kulturförderpreis in 2015, an Artist in Residency position at Künstlerhaus Lukas in Ahrenshoop, the Bavarian Kunstförderpreis in 2017, the Wolfram von Eschenbach Prize in 2021, and the German Jazz Prize for “Composition of the Year 2022”. In that same year, she won DownBeat magazine’s international critics’ poll as “Rising Star Clarinet”.
Ten years ago, Trescher’s enthusiasm for large ensembles and unusual instrumental combinations led her to found her own ensemble with which she could experiment musically: Ensemble 11. Her conscious exclusion of brass instruments made it possible to create a gentle symphonic and impressionistic sound that retained a chamber music character in spite of the relatively large number of voices. In 2019, however, she found herself imagining different sound colors without classical flute and voice. The result was the Rebecca Trescher Tentet, which won the New German Jazz Prize in 2022. With a unique and multi-faceted instrumentation employing several saxophones, clarinet, cello, concert harp, vibraphone, trumpet, bass, and percussion, the group is able to embark on the unconventional and moving acoustical journeys in Rebecca Trescher’s compositions. Since the founding of the Tentet, Trescher has always worked with the same sound engineer, who is himself a musician and producer and travels to all the band’s concerts to supervise the live sound mix.
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Rebecca Trescher, Audrey Powne, Peggy Lee, Emilio Reyna & More

by Ludovico Granvassu
Today's scene is so deep, and wide! Here's a playlist that offers you some samples to pique your appetite for more music from all corners of the globe. Happy listening! Playlist Ben Allison Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Audrey Powne Souled Out" From the Fire (BBE) 0:16 Host talks 6:44 Roy Hargrove A Song for Audrey" Grande-Terre (Verve) 8:32 Host talks 15:43 Emilio Reyna Semilla II" Los Niños Perdidos -EP ...
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