Home » Jazz Musicians » Marvin "Smitty" Smith

Marvin "Smitty" Smith

Marvin "Smitty" Smith, Born June 24, 1961 in Waukegan (Illinois). "It was a very natural inclination for me to play drums," says Marvin "Smitty" Smith. A glance at his early life validates that truth. Born the son of a drummer, Marvin, Sr., was always surrounded by music in the house.

At six months old, he would climb up on the large lounge chair positioned directly in front of his father's drum set and would watch him practice, intensely. Whenever his father took a break, he would crawl over and press the foot pedals and attempt to emulate his dad. That experience, and banging on pots and pans, was the extent of his playing until he began formal training at the age of three.

Today, Marvin "Smitty" Smith is a young musician extraordinaire whose work has been described as a "comment on invention, firm and adventurous time and technical sufficiency." He has traveled extensively throughout the Orient, Europe, and the continental USA; and he has shared the stage with such greats as Sonny Rollins, Hank Jones, Frank Foster and Frank Wess, Art Farmer, Benny Golson, Slide Hampton, and Milt Jackson. He is a former member of the Ron Carter Quartet, The New York Jazz Quartet, and The Art Farmer/Benny Golson Jazztet.

Featured on more than 45 albums, additional performances and recordings augmented with Terence Blanchard and Donald Harrison, Ray Brown and Phineas Newborn, George Shearing, Bobby Watson, Hamiet Bluiett, Branford Marsalis, David Murray, Emily Remler, Peter Leicht, Kevin Eubanks, Donald Byrd, Monty Alexander, Diane Reeves, Michel Camilo, and Grover Washington Jr. Currently he's a member of Steve Coleman's Five Elements, and The Dave Holland Quartet. Smitty conducts seminars and clinics for students in jazz workshops, both in the United States and Europe; and is currently on staff of jazz program at the Banff Centre of Fine Arts, Canada, and Drummers Collective, New York City.

Smitty has been Downbeat Critics' Poll winner for Talent Deserving Wider Recognition, 1985 through 1987, and 1989. Smitty performed on the Soundtrack of filmmaker Spike Lee's "School Daze", appeared in Sonny Rollins' music video "Saxophone Colossus", and a member of Sting's "Nothing Like the Sun" South American tour, 1987. Regarded as a well rounded musician with the ability to play all styles, Marvin "Smitty" Smith is a blossoming composer and arranger, and his success has earned him two albums as a bandleader. As a versatile drummer, there seems to be nothing be cannot do.

Orrin Evans: The Red Door

Read "The Red Door" reviewed by Mike Jurkovic

by Mike Jurkovic
June 13, 2023

A most generous craftsman, composer and bandleader, pianist Orrin Evans never fails to bring out the best of whoever he chooses to create with. The Red Door is gratefully, and gracefully, no exception to that rule. Whatever musical setting Evans chooses to practice his sinewy, r'n'b inflected post-bop in--sideman, big band, trio, quartet, duo, whatever--a sweet animation propels his music and buoys the players gathered around him. In this case the two core units feature bass legend Buster Williams, ...

Album Review

Orrin Evans: The Red Door

Read "The Red Door" reviewed by Dave Linn

by Dave Linn
June 10, 2023

Orrin Evans released his debut album for quintet, “Justin Time," in 1996, at the age of 21. Over the next 25 years, Evans released over 20 albums in all shapes and sizes. From trio to standard ensembles to large bands and big bands, Evans' history included a ten-year stint as a member of the Mingus Big Band, leading to his formation of the Grammy-nominated Captain Black Big Band in 2009. Additionally, when pianist Ethan Iverson (who wrote the liner notes ...

Album Review

Delfeayo Marsalis Uptown Jazz Orchestra: Uptown on Mardi Gras Day

Read "Uptown on Mardi Gras Day" reviewed by Jack Bowers

by Jack Bowers
March 24, 2023

Even though New Orleans' lively and colorful holiday festival is the focal point of trombonist Delfeayo Marsalis' Uptown Jazz Orchestra's latest recording, this is an album that can be heard and appreciated at any time of the year, as there is never a day when pleasure and happiness aren't in style. Delfeayo, a member of the multi-talented Marsalis family from New Orleans that includes brothers Branford (who is a guest artist on two tracks), trumpeter Wynton and ...

Album Review

Will Lyle: L.A. Source Codes

Read "L.A. Source Codes" reviewed by Kyle Simpler

by Kyle Simpler
June 25, 2021

For computer programmers, a source code is a piece of computer language, which they are able to read and transfer and put to use in a practical way. With his debut album, L.A. Source Codes, bassist Will Lyle makes a connection between this concept and jazz. As with computer programming, jazz has its own language, and learning the language of jazz can be somewhat challenging. A skilled player, however, can take musical “source codes," such as chords, scales and arpeggios, ...

Album Review

The Jazz All Stars: The Jazz All Stars Volume 1

Read "The Jazz All Stars Volume 1" reviewed by Jim Worsley

by Jim Worsley
February 25, 2021

The gigless times of 2020--the year of the Covid-19 pandemic--could have brought musicians and the industry to their collective knees, gasping for air. Instead, it resulted in more new music than ever before. It filled our lungs with fresh air. It filled our hearts and souls, not to mention our ears. New businesses opening, defying the odds and pursuing their dreams, is a relevant factor. Le Coq Records, emerging in 2020, boldly presents an all-star ensemble—featuring many of ...

286

Album Review

Benny Golson Quintet: That's Funky

Read "That's Funky" reviewed by AAJ Staff

by AAJ Staff
January 22, 2003

Looking back past the rule of Parliament to the age of Horace Silver, Benny Golson’s That's Funky pays tribute to Louis Armstrong through two renditions of his popular favorite “Mack the Knife." While the opening “funky version" starts off a bit sluggish and includes some pinched soloing by Nat Adderley, Monty Alexander’s firm comps make it swing and Golson’s smooth lines give it at least three pennies worth of class. On the “modern bebop version," Adderley’s lines are much more ...

378

Album Review

Benny Golson Funky Quintet: That’s Funky

Read "That’s Funky" reviewed by C. Michael Bailey

by C. Michael Bailey
April 1, 2000

Part 1: Way Back When. I had a colleague that always insisted that the Creedence Clearwater Revival’s recording Green River sounded better on vinyl than remastered for compact disc. I compared the two and I found this to be true, but probably not for any sonic reasons. Analog recordings are almost always warmer and rounder than their digital counterparts. There is something about that slightly “muddy” sound (and if you are wondering what I mean by that, listen to the ...

Recording

Frank Wildhorn Unveils 'Frank Wildhorn & Friends: Live In Las Vegas With Jane Monheit And Clint Holmes' A Dynamic Return To His Jazz Roots Recorded Live At The Smith Center Inside Cabaret Jazz

Source: Jill Siegel
August 26, 2025

Frank & Friends: Live in Las Vegas with Jane Monheit and Clint Holmes, a captivating live album recorded at the Smith Center inside Cabaret Jazz is now available on all streaming platforms featuring 17 tracks lovingly selected by the renowned multi-Grammy, Tony, and Emmy Award-nominated composer and producer Frank Wildhorn for Jane Monheit and Clint Holmes. This album, produced by Frank Wildhorn and Myron Martin, features songs from Wildhorn musicals “Jekyll & Hyde”, “The Scarlet Pimpernel”, “ Wonderland,”” Camille Claudel” ...
read more

Video / DVD

Perfection: Paul Smith - Under My Skin (1957)

Source: JazzWax by Marc Myers
July 17, 2025

Last weekend, I posted a video clip that included pianist Paul Smith accompanying Frank Sinatra. Smith belonged to a small group of superb West Coast jazz studio pianists that included Lou Levy, Jimmy Rowles and Pete Jolly. In the late 1950s, Smith recorded four albums for Capitol that became known as the Liquid Sound sessions. One of them was Delicate Jazz, recorded in November 1957. For this week's Perfection clip, I've chosen I've Got You Under My Skin. I'm not ...
read more

Video / DVD

Perfection: Keely Smith - The Song Is You (1958)

Source: JazzWax by Marc Myers
June 26, 2025

Few pop singers in the 1950s could swing like Keely Smith. Anita O'Day was certainly one of them, but Smith was the finer vocalist and surely knew more songs and required fewer takes in the studio. In some respects, Smith was the female Frank Sinatra, able to move ahead of the beat, behind it and go a different way on song lines and pull them off. So many of her albums are excellent with a different feeling on each one. ...
read more

Music Industry

Eliot King Smith Teams Up With Audrey Martells (Chic) To Bring To Life The Story Of Josephine Baker

Source: Glass Onyon PR - Keith James
June 6, 2025

In the 1920s, faced with the grinding poverty and segregation of East St. Louis, Josephine Baker took her dancing and musical talents first to New York, and then, at 19, arrived in Paris to perform with the Folies Bergère. Entranced by her reception and treatment by French society, she rose to stardom almost immediately at the Folies. She starred in multiple films, and scored a big hit song that summed up her reverence for the freedom she experienced as a ...
read more

Recording

Perfection: Jimmy Smith - 'Too Old to Dream'

Source: JazzWax by Marc Myers
October 31, 2024

In April 1960, organist Jimmy Smith joined forces with tenor saxophonist Stanley Turrentine and recorded Back at the Chicken Shack for Blue Note. One of the tracks was “When I Grow Too Old to Dream," by Oscar Hammerstein II, Sigmund Romberg. The song was introduced in The Night Is Young (1935) and was given a gospel-soul shove on the 1963 album by Smith, Turrentine and Donald Bailey on drums. (Guitarist Kenny Burrell appears on two tracks but not this one.) ...
read more

Birthday