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Jaribu Shahid

Jaribu Shahid hails from Detroit, Michigan, and was raised in a diverse musical climate, playing with local luminaries such as Kenn Cox, Wendell Harrison, Jimmy Wilkins, J.C. Heard, Martha and the Vandellas and others. Principally self-taught, Jaribu’s training began in the band of friend Kamau kenyatta and in bass studies with Bob Collins.

Around 1975 he was mentored by Faruq Z. Bey and joined the sci-fi band Griot Galaxy. This explorative music, greatly influenced by Sun Ra and the Art Ensemble of Chicago, featured the original concepts by Faruq Z. Bey. This was further realized in 1976 when Tanni Tabal moved to Detroit, establishing the principal rhythm section of his career. In 1978, he moved to Philadelphia and lived with the core of the Sun Ra Arkestra with whom he played intermittenly untils Sonny’s passing.

In 1979 he had his first opportunity to work with Roscoe Mitchell. This led to his career-long involvement with Roscoe in the Roscoe Mitchell Sound Ensemble and, currently, the Roscoe Mitchell Note Factory. In recent years, Jaribu has been a member of various groups led by master saxophonist David Murray and the Freedom Arts Quartet.

Jaribu has recorded with Sun Ra, Roscoe Mitchell, James Carter, David Murray, Geri Allen, Rod Williams, Craig Taborn, Hugh Ragin, Abdoulaye Ndiaye and Blue Dog. He can be heard on the Milt Jackson DVD Vibes Surprise recorded live in Munich. After Malachi Favors’ passing, he was invited to perform with the Art Ensemble of Chicago.

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Album Review

Mike Monford: The Cloth I'm Cut From (Live at Cliff Bell's)

Read "The Cloth I'm Cut From (Live at Cliff Bell's)" reviewed by Alberto Bazzurro


Partenza felice, che lascerebbe supporre un album tutto diverso da ciò che questo nuovo lavoro del sassofonista contralto Mike Monford, qui anche arrangiatore di tutti i pezzi (due dei quali suoi, gli altri di Lee Morgan, Jackie McLean e Abbey Lincoln), si rivela invece dopo soli tre minuti, con la partenza di quel ritmo latineggiante che così nettamente si discosta da quel prologo, che arriveremmo a definire atmosferico-sperimentale. C'è molta luce, ovviamente molto ritmo (e anche un ...

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Album Review

Art Ensemble Of Chicago: The Sixth Decade: From Paris to Paris

Read "The Sixth Decade: From Paris to Paris" reviewed by John Sharpe


Having first come to international prominence in Paris at the end of the '60s, it seems fitting for the Rogue Art imprint to celebrate the Art Ensemble Of Chicago's progression into their sixth decade in the same city. This double CD documents the performance of an extended AEC at the Sons d'hiver Festival in February 2019. Only reedman & composer Roscoe Mitchell and drummer Famoudou Don Moye survive from the original quintet but, rather than accept this as a limitation, ...

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Album Review

Art Ensemble of Chicago: The Sixth Decade: From Paris to Paris

Read "The Sixth Decade: From Paris to Paris" reviewed by Mike Jurkovic


Recorded live in Paris in February 2020, The Sixth Decade: From Paris to Paris. presents Art Ensemble Of Chicago—as defiantly daring avant-garde as that first night in Paris, 1969 —giving no quarter whatsoever in their lifelong, diasporic pursuit of creation unbound. Breaking at the pace of a dream, surviving co-founders saxophonist Roscoe Mitchell and drummer Famoudou Don Moye return to the moment of conception with a two hour, double disc set The Sixth Decade: From Paris to Paris, ...

Album Review

Art Ensemble Of Chicago: The Sixth Decade: From Paris to Paris

Read "The Sixth Decade: From Paris to Paris" reviewed by Giuseppe Segala


Parigi è città fatale per l'Art Ensemble of Chicago: nel 1969 fu traguardo del prodigio artistico e umano preparato negli anni precedenti da Roscoe Mitchell, Malachi Favors e Joseph Jarman, che avevano incrociato le proprie esperienze dapprima al Wilson Junior College di Chicago, nel 1961, poi nel lavoro con la Experimental Band di Muhal Richard Abrams, che dal '66 vide anche la partecipazione di Lester Bowie. Infine, nella formidabile attività musicale, didattica e sociale dell'Association for the Advancement of Creative ...

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Album Review

Freedom Art Quintet: Spirits Awake

Read "Spirits Awake" reviewed by Matt Merewitz


A relative newcomer to the New York avant scene, the Freedom Art Quintet seems to fit in historically somewhere in between the Art Ensemble of Chicago and the funky Cannonball Adderley Quintet.The opener, “In the Thick of It,” suggests the avant-garde while keeping things in time and relatively harmonically tame. The writing is interesting enough to catch your attention, while the bridge is abrupt, too short, and extremely corny. Thickness is followed by sparseness on “Kimbunga,” a little ...

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Album Review

Freedom Art Quartet: Spirits Awake

Read "Spirits Awake" reviewed by Jeff Stockton


On Spirits Awake, the Freedom Art Quartet immediately announces its overall dedication to groove and funky second-line beats with "In the Thick of It," as Jaribu Shahid’s ripely swinging bass gives way to Abraham Burton’s lush, confident tenor and Omar Kabir’s incisive and radiant trumpet. On "Kimbunga," Kabir switches to flugelhorn and makes it growl like a trombone without the aid of a slide or plunger mute, and guest altoist Douglas Yates solos busily before the band returns to state ...

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Music

Recordings: As Leader | As Sideperson

The Cloth I'm Cut...

Self Produced
2024

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Spirits Awake

Freedom Art
2003

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Exordium

D Flat Records
1995

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