Updated: August 10, 2025
Born: August 25
Musician - Composer - Bandleader - Recording Artist - Producer - Educator - Arts Advocate
From Omaha, to Chicago, to Hell's Kitchen, NYC, Mike Freeman is the vibesman behind several notable groups and leader of ZonaVibe.
With spirited soulful swing rooted in Afro-Cuban clave, Freeman creates a distinct brand of mambo and salsa inspired jazz-Latin-blues. Dan McClaneghan of Allaboutjazz described him as "masterful" and ranked him among other top names of the instrument. His recordings of original music have received national and international attention with outstanding reviews, radio airplay charting on jazz, contemporary jazz, and World Music radio, and airing on nationally syndicated radio shows (Latin Perspective with Tony Vasquez, Jazz after Hours with Jim Wilke, The Jazz Show with David Sanborn, WOR radio network with Joey Reynolds, Music Choice, and United Airlines).
Freeman is a four-time Lower Manhattan Cultural Council Creative Engagement grant recipient for: Hell's Kitchen Vibe-Centric, Boricua Blues, Hell’s Kitchen Soul Sauce, and Latin Music in Hell’s Kitchen. Performances included guest legends Ray Mantilla and Jose Mangual Jr. at the Times Center, Highline, Pier 84, and Riverbank State Park in NYC. He produced two Band Together benefit concerts: one for musicians affected by hurricanes Harvey, Irma, and Maria with proceeds going to the Jazz Foundation of America and the other in response to Hurricane Katrina, benefitting the Tipitinas Foundation and New Orleans–area musicians.
Commissioned work includes a decade-long series of compositions and arrangements for the Chicago Symphony Orchestra’s Percussion Scholarship Program. In 2014 he was commissioned by the late drummer/educator Ed Uribe to write arrangements for China's national percussion curriculum that were performed by members of the Shanghai Symphony at Shanghai Symphony Hall.
Performance highlights for Freeman as a leader include the White Plains Jazz Fest, NY; Fox Jazz Festival and Riverfront Jazz Festival in WI; the Trinidad & Tobago Steelpan & Jazz Festival; Festival Internacional, Terciera, Azores; Central Park’s Harlem Meer concert series in New York City; performing for Flood Relief in Des Moines, IA; Jazz on the Green in Omaha, NE; the Berks, Rehoboth Beach, Hennessy Greenwich Village, and JVC Newport (at Saratoga) jazz festivals; the International Association of Jazz Educators (IAJE) convention, and an extensive tour of Portugal, cosponsored by the Fulbright Foundation and the American Embassy (USIA), where he received the Medal of the City of Guarda.
Freeman is also known for his work and recordings with several acclaimed groups. The vibes behind the name, he worked extensively with legendary percussionist Ray Mantilla’s Good Vibrations Band (touring much of Italy).
Read moreTags
All About Jazz Articles
Mike Freeman's ZonaVibe: Circles In A Yellow Room

by Jack Bowers
Circles in a Yellow Room, New York-based vibraphonist Mike Freeman's eighth recording as leader of his own ensembles, has a Latin flavor reminiscent of classic albums by West Coast maestro Cal Tjader. Stylistically, Freeman parallels Tjader and a host of others from Milt Jackson, Terry Gibbs and Gary McFarland to Bobby Hutcherson, Gary Burton, Joe Locke and Steve Nelson. Which is another way of saying that when it comes to the vibraphone, there is not much that separates the best ...
Continue ReadingMetropolitan Jazz Octet: The Bowie Project

by Paul Reynolds
A tribute to a pop artist by jazz musicians--as with the new David Bowie album by Chicago's Metropolitan Jazz Octet--has to tread a careful line. It obviously won't--can't--be a rote reproduction of the originals, a flaw that sinks many pop-to-pop tributes. Yet it needs to translate the songs into jazz--its harmonic sophistication, especially--in a way that retains the essence of the artist being celebrated. The MJO effort deftly rises to that challenge. This 11-song project should intrigue Bowieists ...
Continue ReadingMetropolitan Jazz Octet featuring Paul Marinaro: The Bowie Project

by Neil Tesser
In the words of David Bowie: Changes." The Metropolitan Jazz Octet's two previous albums teem with unadulterated jazz. Paul Marinaro is a hard-swinging, expressive baritone steeped in the Great American Songbook and the jazz tradition. So what in the galaxy are they doing with the music of pop legend--and onetime glam rocker, dancehall king, visual visionary, music man of multiple personae, and cultural icon--David Bowie? Historians might note that Bowie started playing jazz saxophone in his ...
Continue ReadingLatin Jazz Roundup: Mike Freeman ZonaVibe, Terceto Kali, Will Jarvis, Livio Almeida, & Sergio Pereira

by Mark Sullivan
A wide variety of recent Latin jazz releases. Afro-Cuban, Brazilian, and flamenco influences are all represented. Mike Freeman ZonaVibe Blue Tjade VOF Recordings 2015 Vibraphonist Mike Freeman leads his ZonaVibe group through an exciting program of Latin jazz originals on his sixth album as leader. The title tune acknowledges the great Latin jazz vibraphonist Cal Tjader--but he is only one of the forebears referenced. Dance of the Dead" was influenced by a ...
Continue ReadingMike Freeman: The Vibesman

by Dan McClenaghan
The sound of the vibraphone glows--a ringing and sustained sonic luminescence. Current masters of the instrument include Gary Burton, Joe Locke, Bobby Hutcherson, and the perhaps lesser-known but also masterful Mike Freeman. With his percussion-soaked group Zonavibe--that includes, besides the vibes, the sounds of marimba, and kalimba, congas, bongos, campana and timbales--Freeman stirs up a multicultural brew of vibrant optimism and Latin and world jazz grooves. Tenor sax and flute, steeped in an organized rhythmic clamor on the ...
Continue ReadingMike Freeman: Wiggle Stomp

by Dave Nathan
Mike Freeman's second self-produced album features a program of his compositions. The underlying theme is Latin and Brazilian jazz and calypso. Freeman not only plays the vibes, but the marimba as well, the latter reserved for the calypso music. If the picture on the album is accurate, Freeman uses the four mallets getting a voicing that is more defined and not as resonant as other practitioners of that technique. The musical program is one of contrasts. A pensive, ...
Continue ReadingArticles Across the Web
...or were mentioned in an All About Jazz article.
- "High talent masterful vibraphone"
- "Latin jazz doesn't get any better than this"
- "enormously impressive"
- "…Freeman is wildly talented on the vibraphone"
- "masterful", the music is “…percussion soaked”, “…a multicultural brew of vibrant optimism and Latin and world jazz grooves.”, “ ‘Blue’ is a piece of gorgeous tranquility….”
- "a fitting tribute to Cal Tjader", "wonderful bluesy pieces"
"Latin jazz doesn't get any better than this." –Mark Sullivan, All About Jazz
"frost-fresh…with off-beat rhythms driven hard." –Raul da Gama, Latintjazzne
"Swinging sounds that are reminiscent of vintage Cal Tjader sessions…irresistible grooves. Oye!" George Harris, Jazz Weekly
"…Freeman is wildly talented on the vibraphone" –Mike Greenblatt, Classicalite
"brilliantly played…" "The music cooks; it burns; it swings…" – Steven A. Cerra, JazzProfiles
Primary Instrument
Vibraphone
Location
New York City
Willing to teach
Intermediate to advanced
Credentials/Background
35 Years of private teaching, clinic/workshop and camp experience.
Clinic/Workshop Information
The Vibraphone in Latinjazz and Salsa.
Artists who share similar musical characteristics to Mike Freeman.