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Willie Jones III

Born in Los Angeles, California on June 8, 1968, Jones' earliest exposure to music was through his father, Willie Jones II, an accomplished and notable jazz pianist, who offered guidance and inspiration to his gifted son. Dedicated to the further development of his skills, the younger Jones spent the next few years working diligently with acclaimed drummers and music instructors and began performing with distinguished musicians by the time he was in his teens. He completed his academic training after receiving a full scholarship to the California Institute of the Arts where he studied under the tutelage of the legendary Albert "Tootie" Heath. Before he was a semifinalist in the 1992 Thelonious Monk Jazz Drum Competition, Jones co-founded jazz band Black Note. Influenced by the rich soulful energy of the West Coast bop movement, Black Note's hard-swing sound propelled them to first place in the prestigious John Coltrane Young Artist Competition in 1991. Jones contributed his skillfulness as both musician and producer on all four Black Note recordings: 43rd & Degnan and L.A. Underground (World Stage Records), Jungle Music (Columbia) and Nothin' But the Swing (Impulse!). By 1994, the band had toured Europe and across the U.S. and was the opening act for Wynton Marsalis.

Near the end of 1994, while Jones was reaching for a higher level of drumming dexterity, he gained the privilege of playing sideman to the renowned vibist Milt Jackson, where Jones learned the importance of pacing and sensitivity. Meanwhile, his musical career continued to unfold. From 1995 through 1998, he was a member of Arturo Sandoval's band and is featured on Sandoval's GRAMMY® award winning release Hot House (N2K). Subsequently, Jones recorded with Horace Silver on Jazz Has a Sense of Humor (Impulse!).

From 1998-2005, Jones was a member of Roy Hargrove's Quintet and is featured on Roy Hargrove's CD releases on Verve: Moment To Moment, Hard Groove, Nothing Serious and RH Factor's Distractions. Jones can be heard on a host of recordings including Kurt Elling's GRAMMY® nominated Night Moves (Concord) and Eric Reed's Here (Max Jazz). Jones has worked with Sonny Rollins, Ernestine Anderson, Bobby Hutcherson, Wynton Marsalis, Cedar Walton, Frank Wess, the Dizzy Gillespie All-Star Big Band, Houston Person, Billy Childs, Eric Reed, Ryan Kisor, Eric Alexander, Bill Charlap, Michael Brecker, Herbie Hancock and Hank Jones. In 2000, Jones' released his debut CD, Vol 1...Straight Swingin' on his own label, WJ3 Records. He continues to reveal his proficiency as a composer as well as a producer on Vol II...Don't Knock The Swing (2002); Volume III (2007); WE 2 (2008), a trombone and piano recording featuring Wycliffe Gordon and Eric Reed; and Jones' latest release The Next Phase (2010).

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33
Album Review

Ken Peplowski: Live at Mezzrow

Read "Live at Mezzrow" reviewed by Jack Bowers


When one is diagnosed with multiple myeloma, as woodwind specialist Ken Peplowski was in June 2021, there are basically two alternatives: either accept the decision and throw in the towel or choose to fight and double down on doing what keeps you active and hopeful, in this case making beautiful music that swings. Obviously, as epitomized by the album Live at Mezzrow, Peplowski chose the latter path, and three years on has apparently won the battle, at least for now, ...

30
Album Review

Ken Peplowski: Unheard Bird

Read "Unheard Bird" reviewed by Jack Bowers


Even when the recording (in this case, two) is a classic--as, for example, Charlie Parker's memorable Bird with Strings (Mercury Records, 1950)--some songs that deserve better are necessarily left on the cutting-room floor. Some may see that as disappointing, while others--like reed specialist Ken Peplowski--embrace it as an opportunity. On Unheard Bird, Peplowski--with strings and a core quartet--presents a series of fourteen generally likable themes, most of which were destined for Parker's album but were somehow passed over, and three ...

11
Live Review

Willie Jones III Sextet at Jazz Alley

Read "Willie Jones III Sextet at Jazz Alley" reviewed by Paul Rauch


Willie Jones III Sextet Jazz Alley Seattle, WA April 30, 2024 Arriving early to a club performance can give one perspective on what is about to take place. On a Tuesday evening in Seattle, with but a few patrons in the club among the hustle-and-bustle of house staff preparing for the evening, the set-up on stage was a prologue of the story that was to be told over a two-hour set. In particular, the drum ...

11
Album Review

Roberta Gambarini: Easy To Love

Read "Easy To Love" reviewed by Richard J Salvucci


In 2007, All About Jazz reviewer Michael Caratti wrote: “This debut outing from Roberta Gambarini sees the Italian-born jazz vocalist pair up with two star-studded rhythm sections and legendary tenor saxophonist James Moody, to present what has to be one of the best vocal jazz albums of the decade. Opening with Cole Porter's classic title track Gambarini's exquisite tone and masterful rhythmic phrasing are immediately on display in the first a capella section. The gradual addition of bass and brushes ...

3
Liner Notes

Ryan Kisor: Awakening

Read "Ryan Kisor: Awakening" reviewed by C. Andrew Hovan


A man of few words, Ryan Kisor chooses to let his horn do the speaking and obviously it has said volumes over the years when you consider that the trumpeter is one of a select few musicians who has managed to sustain a viable career past the heydays of the jazz renaissance of the '80s and early '90s. Even when given the opportunity to elaborate on his most recent musical endeavors, Kisor states quite simply, “I'm pretty much just doing ...

7
Album Review

Sam Taylor: Let Go

Read "Let Go" reviewed by Edward Blanco


Presenting his third offering from the Cellar Live record label, Harlem-based and Philadelphia native, saxophonist Sam Taylor unleashes an exciting bop-filled package of contemporary jazz covers, making a superb job of interpreting the music of composers such as Benny Golson, Hank Jones, Jule Styne and Jimmy Van Heusen and laying down sturdy new treatments of oft-recorded and ageless classics. The goal of this project is best described by the saxophonist himself in the liner notes when he states: “Fill the ...

6
Liner Notes

Peter Beets: New York Trio Page Two

Read "Peter Beets: New York Trio Page Two" reviewed by C. Andrew Hovan


In its relatively short history, American jazz music has established a language that while having some ties to the European tradition is more fully rooted in the rhythms and folk melodies of the African slaves. What is even more significant is the profound impact that the music and musicians have had in breaking social boundaries such as race, culture, and ethnicity. Way before there were even the thoughts of equal opportunities for all individuals in the American South, Benny Goodman ...

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Music

Recordings: As Leader | As Sideperson

Unheard Bird

Arbors Records
2024

buy

Live at Mezzrow

Cellar Music Group
2024

buy

Let Go

Cellar Music Group
2022

buy

New Beginnings

Cellar Music Group
2022

buy

Live in Paris

HighNote Records
2021

buy

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