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Norbert Stein
Beside performing in Europe, he went on numerous concert tours such as to Brazil, Africa, USA, Australia, Singapore and Indonesia. Several musical encounters were realized in cooperation with the Goethe-Institut. You will find these international music cooperations documented on various PATA CDs.
As a bandleader and composer, Norbert's approach is to create structures or atmospheres in which his colleagues can articulate their own ideas. His goal is to create music that constantly changes and evolves, and in which each performance is unique and presenting a brilliant balance between refined arrangements and plenty of freedom for spontaneity and interactivity.
"Pata Music is full of surprises, it is open to all sorts of influences, it tears down fences of seemingly contradictory idioms, and coming from jazz improvisation, it builds up something new and exciting." (Joerg Eipasch, Jazzpodium /Germany)
The name 'Pata Music' is derived from the work of late 19th century scientist, Dr. Faustroll, who developed a theory of 'pata physics', defined as a science based on "unreal logic and a new reality beyond the borders of the world of external appearances removed from the usual principles of causality."
Another definition is "the science of imaginary solutions (which) defines the way to gain knowledge avoiding the rigorous rules of reason and tradition, without disrespecting them"...which is a fair description of how Norbert creates his music with respect to the orthodoxies of the jazz tradition.
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Norbert Stein: Pata Kandinsky
by Glenn Astarita
Norbert Stein, a luminary of the European jazz scene, is celebrated for his ingenious compositions and distinctive approach to the genre. Central to Stein's musical philosophy is his “Pata" ideology, which draws from the surreal and abstract, blending whimsical, unorthodox elements with the essence of traditional jazz. As a saxophonist and composer based in Germany, Stein consistently pushes the boundaries of jazz through this unique fusion, establishing himself as a revered and influential artist in the global jazz community.
Continue ReadingNorbert Stein: We Are
by Glenn Astarita
Venerable German saxophonist, composer Norbert Stein's various ensemble manifestations draw inspiration from the work of 19th century scientist, Dr. Faustroll who developed the 'pata physics' theory, defined as a science centered on “unreal logic." Here, the artist leads a quartet under the moniker “Pata Messengers," which is a semi-free program framed on linear thematic sequences that contain underlying melodic content with spacious intervals and rhythmically complex unison runs. Certain works spark notions of Ornette Coleman's harmolodic principles as ...
Continue ReadingNorbert Stein: Pata On The Cadillac
by Glenn Astarita
German tenor saxophonist Norbert Stein is a distinguished composer and leader. He can prompt laughter, despair, and mesmerize the listener via regimented arrangements, sparked by difficult time signatures and multilayered sound mosaics. A self-described patamusician, inferring the Pataphysics movement started in 1948 by French playwright Alfred Jarry, Stein proffers an existential realm of thought, equated to Pata's science of imaginary solutions. The artist's long-running band essentially pulls out the stops throughout this affair, brimming with attractive melodies, ...
Continue ReadingNorbert Stein Pata, Horns & Drums: Silent Sitting Bulls
by Glenn Astarita
German saxophonist Norbert Stein's hefty discography surrounds French journalist Alfred Jarry's pseudoscience of pataphysics amid many existential relations of art, life and human imagination. With his various Pata-based ensembles, Stein's music intimates comprehensive manipulations of jazz and world music. Organic, yet equipped with brute force tactics, the saxophonist's compositions boats a native stylistic component, hugely evident on Silent Sitting Bulls. The respective band members play a vital role in the rhythmic factor and they incorporate a curiously interesting ...
Continue ReadingNorbert Stein / Pata Generators: Direct Speech
by Glenn Astarita
Since 1986 German saxophonist Norbert Stein has issued fifteen albums under his emblematic Pata Music moniker, which is based on Frenchman Alfred Jarry's ideologies pertaining to physics and unreal logic, among other factors. In turn, Stein's compositional prowess includes what he refers to as “composed spheres," enacted by the soloists' options to rearrange various movements of a given piece. And while Stein is not widely known in the USA, his muse and methodologies often signify a higher level of progressive-jazz, ...
Continue ReadingNorbert Stein: Graffiti Suite
by Lyn Horton
Norbert Stein Graffiti Suite Pata Music 2006
Interaction among separate elements can have greater impact than the individual actions of those elements. The process is called synergy. Synergy works on all levels and is an important factor behind the successful outcomes that can emerge from collaborative effort--and it can be powerfully productive when individuals get together to make music.
Composer/conductor/musician Norbert Stein's double-disc Graffiti Suite, performed by the NDR (North German Broadcasting) ...
Continue ReadingNorbert Stein: Pata Masters - Live In Australia
by Glenn Astarita
A resident of Cologne, Germany - saxophonist/bandleader Norbert Stein’s microcosmic view of nineteenth century scientist, Dr. Faustroll’s “Pata” physics intimates a metaphorical musical translation. Whereas the crux of the matter pertains to the band’s singular characteristics!
While Stein serves as the composer and tenor saxophonist, the band is a multitasking machine, as the soloists toggle between drums, percussion, EFX, mallets, flutes and so on. They engage in a blitzing frenzy, marked by pulsating rhythms during the opener, “Parliament ...
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