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Keita Ogawa
He started his music career on drum set at the age of 15.
After performing regularly in Tokyo for several years, Keita decided to pursue his musical studies overseas. He was accepted into the prestigious Berklee College of Music in fall of 2005 where he studied with legendary musicians and educators Manuel “Egui” Castrillo, Jamey Haddad, Tito De Gracia, David Rosado, and Mark Walker. Seeking full immersion into the world of Brazilian percussion, Keita relocated to Rio de Janeiro for 3 months and studied with the some of the country’s most respected musicians- Jorginho do Pandeiro, Celsinho Silva, Kiko Freitas, and Marcio Bahia among others.
Since his arrival in America, Keita has worked with some of the biggest names in modern music including Yo-yo-ma, Assad Brothers, Charlie Hunter, Maria Schneider Jazz Orchestra, Le Nubians, Romero Lubambo, Clarice Assad, Jaques Morelenbaum, Osvaldo Golijov, Eric Harland, the Boston Symphony Orchestra, Chicago Symphony Orchestra and more.
He also played and composed music called “Starting Five” with “J-Squad” (New York based 5 Japanese Jazz Musicians) for one of big National Japanese News TV Program called “Hōdō Station” since April 2016.
Currently he works several projects like, Snarky puppy, J-Squad, Banda Magda, Bokantè, Camila Meza and the Nectar Orchestra, Clarice Assad and more.
Also He is endorsed by Canopus Drum, Meinl Percussion, Sabian Cymbal, Vic Firth, Evans Drum Head, Cooperman Company, Dem Sticks, Parka Percussion and Decora 43.
Keita can virtually play any percussion instrument and musical style with fluency and unparalleled musicality. Despite his youth, he has set an example for the next generation of world-class musicians. Keita’s passion for crossing musical borders and uniting differences in cultures is a rare talent which he exhibits with a smile and an open heart.
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Jihye Lee Orchestra: Infinite Connections

by Jack Bowers
Some eighty-odd years ago a handful of trailblazers led by saxophonist Charlie Parker and trumpeter Dizzy Gillespie changed the vocabulary of jazz, introducing bebop as a successor to trad jazz and swing and radically transforming the music's landscape and perspective. Their terminology remained pretty much intact for a number of years, with partisans choosing a path between the diverse genres, until at last the very definition of jazz began to move in new directions with newcomers such as cool jazz, ...
Continue ReadingThe Jamie Baum Septet+: What Times Are These

by Angelo Leonardi
Nella sua nuova incisione Jamie Baum coniuga impegno civile e ricercata varietà di soluzioni musicali con voci e suoni di particolare freschezza. A distanza di sei anni dal precedente Bridges la flautista e compositrice firma l'album più riuscito del suo ensemble, in gran parte rinnovato con l'ingresso del trombettista Jonathan Finlayson, del pianista Luis Perdomo, del bassista Ricky Rodriguez e del percussionista Keita Ogawa accanto ai fidi Jeff Hirshfield alla batteria, Brad Shepik alla chitarra, Chris Komer al ...
Continue ReadingJihye Lee Orchestra: Infinite Connections

by Angelo Leonardi
Su queste pagine abbiamo seguito il percorso discografico di Jihye Lee a partire dal suo esordio (April, 2017) ed il successivo Daring Mind (Motéma 2021), co-prodotto con Darcy James Argue. La collaborazione con quest'ultimo si ripropone anche nel nuovo Infinite Connections, registrato nell'ottobre 2023, che evidenzia un significativo passo avanti nella sua sintesi tra jazz e proprie radici musicali. Che la bandleader fosse un talento eccezionale è apparso chiaro dalla rapidità con cui ha padroneggiato le tecniche ...
Continue ReadingJihye Lee Orchestra: Infinite Connections

by Troy Dostert
One of the most ambitious composers working exclusively in the large-ensemble format, Jihye Lee is now offering her third release, coming on the heels of the well-received April (Self-released, 2017) and Daring Mind (Motéma Music, 2021). Lee is a fearless artist with a seemingly limitless imagination, with a multiplicity of themes and rhythms swirling through her complex, densely-layered compositions. And as always, she once again has a terrific group of colleagues to help bring her rich, multi-hued vision to life. ...
Continue ReadingAdam Birnbaum: Preludes

by Maurizio Zerbo
Il genio di Johann Sebastian Bach ha sempre attratto l'estro dei jazzisti sin dall'era dello swing. Questa sfida è stata raccolta negli ultimi decenni, tra gli altri, da Uri Caine, Brad Mehldau, ed oggi con buoni risultati anche dal pianista statunitense Adam Birnbaum. Il pregio di Preludes consiste nell'aver esteso la tecnica compositiva del mondo barocco con i colori dell'armonia jazzistica. Swing, virtuosismo non compiaciuto, e squisito senso melodico sono al servizio di una reinterpretazione affettuosa e riflessiva ...
Continue ReadingJamie Baum Septet+: What Times Are These

by Katchie Cartwright
Reading Marge Piercy's poem To Be of Use" (track two onWhat Times Are These), Jamie Baum could be speaking of herself, one of those who jump into work head first without dallying in the shadows, who swim off with sure strokes," knowing that the thing worth doing has a shape that satisfies, clean and evident." What Times Are These is a satisfying form of this sort. Confined to her New York apartment during the Covid-19 lockdown, Baum responded ...
Continue ReadingBrock, Lanzetti, Ogawa: Drawing Songs

by Mike Jacobs
Encountering new additions to the Snarky Puppy musical diaspora is always interesting. Some members' solo efforts are more direct stylistic offshoots of the mother band while others branch out in very different directions, but it is a safe bet that they will showcase the musicianship which got them into the burgeoning collective in the first place. Drawing Songs, by long-time SP bandmates Zach Brock, Bob Lanzetti and Keita Ogawa, is one of these which is a refreshing musical ...
Continue ReadingRintaro Mikami
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The Veil
From: Three Seconds | Kolme ToistaBy Keita Ogawa
Resilience
From: ResilienceBy Keita Ogawa