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Peter Washington
Perhaps the most recorded bassist of his generation, Peter Washington has also played an integral part in two of the most important and highly praised jazz trios of the last 20 years, in addition to a "who's who" roster of jazz artists.
Born in Los Angeles, California, in 1964, Washington attended the University of California, Berkeley, where he majored in English Literature and played in both the UC Symphony and the San Francisco Youth Symphony. In 1986, while performing in San Francisco with alto saxophonist John Handy, he was asked by Art Blakey to move to New York and join the seminal Art Blakey's Jazz Messengers.
Washington remained with the Jazz Messengers from 1986 to 1989, and during this time was able to establish himself as a ubiquitous, first- call freelance bassist; a position he has occupied to this day.
In the early 1990's Washington joined the Tommy Flanagan Trio , called by many "the greatest trio in jazz", and remained until Flanagan's death, in 2002. For the past ten years he has been a member of the very highly acclaimed Bill Charlap Trio.
In addition to these long- term commitments Washington has worked and recorded with an extremely large number of top- tier artists, of all generations. A partial list of those he has recorded and performed "live" with would include Dizzy Gillespie, Benny Golson. Freddie Hubbard, Donald Byrd, Benny Carter, Hank Jones, Milt Jackson, Bobby Hutcherson, Kenny Burrell, Phil Woods, Cedar Walton, Joe Henderson, Ray Bryant, Frank Wess, Clark Terry, Lionel Hampton, Charles McPherson, Jimmy Heath, Percy Heath, Jimmy Cobb, Louis Hayes, the Newport All Stars, the Carnegie Hall Jazz Band, Gerald Wilson,Lou Donaldson, Barry Harris, Lew Tabakin, Sweets Edison, Johnny Griffin, Jackie McLean, Sir Simon Rattle and the Birmingham Symphony, Richard Wyands, Teddy Edwards, Johnny Coles, Frank Morgan, and more...
Of the younger generations, Washington has recorded and performed with Mulgrew Miller, Tom Harrell, the Brecker Brothers, Don Grolnick, David Sanchez, Eric Alexander, Benny Green, Javon Jackson, Brian Lynch, David Hazeltine, One For All, Steve Nelson, James Carter, Renee Rosnes, Steve Turre, Regina Carter, Kenny Washington, Grant Stewart, Robin Eubanks, Joe Magnarelli, Geoff Keezer, Billy Drummond, Jeremy Pelt, Ryan Kisor, Walt Weisokopf, and many, many others.
Peter Washington has also enjoyed associtions with vocalists as diverse as Andy Bey, Freddie Cole, Karrin Allyson, Chris Conner, Mark Murphy, Georgie Fame, Ernie Andrews, Paula West, Eric Comstock, Anne Hampton Calloway, Marlena Shaw, and Ernestine Anderson.
A complete discography would list, as of this writing, over 350 recordings, and is expanded on a weekly and monthly basis.
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Eric Scott Reed: Out Late

by Neil Duggan
Prioritizing energy and passion over musical precision, pianist Eric Scott Reed recorded every track on his album Out Late as a first take, with all musicians performing together in one room. Nothing was added later--this old-style approach gives the recording its vintage feel. As Reed explains, We rehearsed a song for a few minutes, and once everybody got the melody under their fingers, we went ahead and made a track while it was fresh. The energy is there; the rawness ...
Continue ReadingNoah Haidu: Standards III

by Jack Bowers
Standards III, the ninth album by New York-based pianist Noah Haidu, is essentially a trio date with a guest appearance on one number ("Slipstream") by alto saxophonist Steve Wilson. As was true on Standards (Sunnyside, 2021) and Standards II (Sunnyside, 2024), the inclusion of several unfamiliar themes (including some by Haidu) stretches the meaning of standard" well beyond what most listeners would consider acceptable. To be fair, there are a liberal number of standards on all three ...
Continue ReadingNoah Haidu: Standards III

by Pierre Giroux
Noah Haidu's Standards III is a study in jazz fluency--an exploration of melody, form, and interplay that reanimates familiar repertoire with both reverence and daring. Following the strong creative thread laid in the first two installments of the standards theme (Standards, 2023 and Standards II, 2024; both on Sunnyside), Haidu again enlists legendary bassist Buster Williams and veteran drummer Billy Hart, whose intuitive communication with the pianist borders on telepathic. Joining this outing is a younger trio, featuring bassist Gervis ...
Continue ReadingSullivan Fortner: Southern Nights

by Pierre Giroux
On Southern Nights, pianist Sullivan Fortner sets out to capture lightning in a bottle and succeeds with radiant charm. Joined by the impeccable Peter Washington on bass and the restless Marcus Gilmore on drums, Fortner opts for total spontaneity: no rehearsals, no retakes, no isolation. The result is a recording that feels alive and as richly human as a live club set, yet marked by an almost telepathic cohesion. The album opens with the title track ...
Continue ReadingJim Snidero: For All We Know

by Alberto Bazzurro
Jim Snidero, californiano, sessantasei anni, collaborazioni che vanno da Tom Harrell a Frank Sinatra, è senza dubbio alcuno uno dei massimi paladini del mainstream jazz fin dai secondi anni Ottanta. Questo suo nuovo lavoro, inciso nell'ottobre 2023 nella tutto sommato singolare (nonché stimolante) formazione del trio senza pianoforte (o chitarra che sia), conferma appieno tale assioma, navigando su temi anche fra i più noti della letteratura jazzistica (nessun original), affrontati col giusto piglio e un'assoluta padronanza lessicale. ...
Continue ReadingJeff Rupert: It Gets Better

by Jack Bowers
Florida-based tenor saxophonist Jeff Rupert leads a superlative quartet on It Gets Better, a graceful and charming album recorded September 2021 at the renowned Van Gelder Studio in New Jersey. While comparisons to other musicians are as a rule less than viable, the striking similarities between Rupert and the late jazz giant Stan Getz cannot simply be overlooked or ignored. As John Coltrane once said of Getz, We'd all sound like that if we could." Not only can Rupert sound ...
Continue ReadingKen Peplowski: Unheard Bird

by Jack Bowers
Even when the recording (in this case, two) is a classic--as, for example, Charlie Parker's memorable Bird with Strings (Mercury Records, 1950)--some songs that deserve better are necessarily left on the cutting-room floor. Some may see that as disappointing, while others--like reed specialist Ken Peplowski--embrace it as an opportunity. On Unheard Bird, Peplowski--with strings and a core quartet--presents a series of fourteen generally likable themes, most of which were destined for Parker's album but were somehow passed over, and three ...
Continue ReadingSteve Wilson Returns To The Village Vanguard, December 4-9, Joined By Pianist Renee Rosnes And Bassist Peter Washington

Source:
Seth Cohen PR
Acclaimed jazz saxophonist Steve Wilson will headline a week at the legendary Village Vanguard in New York City, December 4th through 9th, 2012. Wilson will be joined by pianist Renee Rosnes and by bassist Peter Washington. The collaborative, co-led trio first performed together at Kitano in NYC, a two-night sold-out visit which Wilson fondly recalls as “one of the best musical experiences I've ever had." This collaborative trio, which first played at Kitano in NYC, is looking forward to playing ...
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Ben Hedquist
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Music
The Weirdos
From: Out LateBy Peter Washington
Beautiful Friendship
From: StandardsBy Peter Washington