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Victor Paz

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6

Album Review

Eddie Palmieri: Vamonos Pa'l Monte

Read "Vamonos Pa'l Monte" reviewed by Richard J Salvucci


A reader may come upon a poster entitled “Highlights of the Jazz Story in the USA." One is labelled the Peter von Bartkowski Edition and it dates from 1987. It is, so to speak, a family tree of jazz, with all the strengths and weaknesses of the genre. Still, to poke about is to get someone's version of the lay of the land. On first examination, it is not clear that Latin Jazz even shows up, but ...

83

Liner Notes

Eric Gale: Forecast

Read "Eric Gale: Forecast" reviewed by Arnaldo DeSouteiro


Eric Gale (born on September 20, 1938, of Barbadian parents, in Brooklyn, NY) recorded over 500 albums as sideman, backing such stars as Aretha Franklin, King Curtis, Dianna Ross, Paul Simon, Lena Horne, Michel Legrand, Quincy Jones, Roberta Flack, Gladys Knight & The Pips, Joe Cocker, Carly Simon, Van Morrison, Milton Nascimento, Billy Joel, Gato Barbieri and Mongo Santamaria, to name a few. Gale's association with Creed Taylor began when the celebrated producer was working at Verve Records. ...

127

Album Review

Charles Earland: Intensity

Read "Intensity" reviewed by AAJ Staff


You hear it at once: a different sound, not always for the better. The music was changing, and Charles Earland joined his easy groove to the lush CTI sound so popular at the time. Results vary: the Burner is hot but too many horns spoil the brew. Take “Goin' Home": a rock guitar crashes through the left speaker, and Charles steps coolly behind him. Now he works the chords for warm strength: the feel of his Black Talk! album. But ...

230

Album Review

Charles Earland: Intensity

Read "Intensity" reviewed by Douglas Payne


For 1972's Intensity, Charles Earland's fifth of ten Prestige discs, the Mighty Burner seemed to be aiming toward something a little different than his usual collection of soulful tenor-organ jams. The presence of two songs from the rock group Chicago and a small trumpet-dominated horn section indicate that jazz-rock was the goal. The result, the LP's four original tracks plus two tracks from the same date originally released as part of Charles III, is one of his very best.

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