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Charlie Ventura
In the summer of 1942, Charlie got a call at his day job at the Philadelphia Navy yard to join Gene Krupa's band. Unwilling to relinquish the security of a paycheck, he turned them down. Then came the second phone call and before long, Charlie was on the road with the band becoming a featured soloist, along with trumpet star, Roy Eldridge and singer Anita O'Day. Throughout the forties, fifties and sixties, Charlie Ventura and Gene Krupa made music history together as America's leading jazz greats.
Ventura was one of the first jazz musicians to make the transition from swing to be-bop. In 1946, he formed his own "Bop for the People" band, playing a commercially-oriented form of be-bop. Continuing to play with The Gene Krupa Trio, he cut “Dark Eyes,” which led to over a dozen released albums, including “Charlie Ventura With Special Guest Charlie Parker”(1949) “Bop For The People”(1949-53) and “Charlie Ventura And His Orchestra.”(1954-55)
Many fans will remember the succession of great jazz groups, fronted by Charlie, that appeared at The Open House nightclub he owned in Lindenwold, New Jersey. Playing Las Vegas with Jackie Gleason, and Atlantic City, New York and Philadelphia, Charlie Ventura was the consummate jazzman.
"Jazz is maturing and maturity carries responsibilities. I feel that I'm supposed to make people laugh, make them cry, make them day dream and give them some excitement," Charlie explained. His lifetime of musical achievement ended in January, 1992, but his legacy to the world of jazz lives on. Source: Bruce Klauber
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Charlie Ventura: Adventure With Charlie
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JazzWax by Marc Myers
The last time I posted about tenor saxophonist Charlie Ventura was in 2013. As I wrote ruefully back then, the 78-era soloist seems to have disappeared completely from view in today's jazz world, his recordings and contribution sadly forgotten. Throughout Ventura's career, his solos were uniformly high energy, earthy and flawless. He was a swing-era blower who crossed over to bebop starting in 1946 and recorded live with Charlie Parker in 1949 at New York's Royal Roost. Ventura spent much ...
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Charlie Ventura on Baritone
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JazzWax by Marc Myers
Saxophonist Charlie Ventura has gotten a bum rap. For too long he's been thought of as a Coleman Hawkins clone and his vast contributions to jazz and R&B have been overlooked or ignored. His name no longer comes up in jazz circles, and his recordings are rarely heard or praised. I can't think of the last time a serious jazz radio show featured him. It's as if Ventura had been run out of town on a rail. What a shame. ...
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