Home » Jazz Musicians » Keita Ogawa
Keita Ogawa
He started his music career on drum set at the age of 15.
After performing regularly in Tokyo for several years, Keita decided to pursue his musical studies overseas. He was accepted into the prestigious Berklee College of Music in fall of 2005 where he studied with legendary musicians and educators Manuel “Egui” Castrillo, Jamey Haddad, Tito De Gracia, David Rosado, and Mark Walker. Seeking full immersion into the world of Brazilian percussion, Keita relocated to Rio de Janeiro for 3 months and studied with the some of the country’s most respected musicians- Jorginho do Pandeiro, Celsinho Silva, Kiko Freitas, and Marcio Bahia among others.
Since his arrival in America, Keita has worked with some of the biggest names in modern music including Yo-yo-ma, Assad Brothers, Charlie Hunter, Maria Schneider Jazz Orchestra, Le Nubians, Romero Lubambo, Clarice Assad, Jaques Morelenbaum, Osvaldo Golijov, Eric Harland, the Boston Symphony Orchestra, Chicago Symphony Orchestra and more.
He also played and composed music called “Starting Five” with “J-Squad” (New York based 5 Japanese Jazz Musicians) for one of big National Japanese News TV Program called “Hōdō Station” since April 2016.
Currently he works several projects like, Snarky puppy, J-Squad, Banda Magda, Bokantè, Camila Meza and the Nectar Orchestra, Clarice Assad and more.
Also He is endorsed by Canopus Drum, Meinl Percussion, Sabian Cymbal, Vic Firth, Evans Drum Head, Cooperman Company, Dem Sticks, Parka Percussion and Decora 43.
Keita can virtually play any percussion instrument and musical style with fluency and unparalleled musicality. Despite his youth, he has set an example for the next generation of world-class musicians. Keita’s passion for crossing musical borders and uniting differences in cultures is a rare talent which he exhibits with a smile and an open heart.
Tags
Cecile McLorin Salvant: Oh Snap
by Angelo Leonardi
Ogni nuovo disco di Cécile McLorin Salvant è un evento di rilievo ma da qualche anno si aggiungono stimolanti sorprese. Dagli ultimi due album --Ghost Song del 2022 e Mélusine del 2023--la cantante ha sospeso la relazione con il songbook statunitense e il repertorio legato al blues e alle radici, per presentare contenuti e soluzioni inaspettate con vari brani originali. Questo Oh Snap incrementa le nuove scelte. Tutti i temi sono personali, in una riflessione che riallaccia il ...
Continue ReadingCecile McLorin Salvant: Oh Snap
by Frank Housh
It feels like Cecile McLorin Salvant is just showing off. The 2020 MacArthur Genius Grant Award Winner follows up Ghost Song (Nonesuch, 2022) and Mélusine (Nonesuch, 2023) with Oh Snap, a post-genre effort with deeply personal lyrics that sound like they were lifted from the diaries of a rediscovered poet. McLorin recorded Oh Snap alone, learning GarageBand and AutoTune as she went. She said, I felt I had lost a connection to music because it was something that ...
Continue ReadingJihye Lee Orchestra: Infinite Connections
by Jack Bowers
Some eighty-odd years ago a handful of trailblazers led by saxophonist Charlie Parker and trumpeter Dizzy Gillespie changed the vocabulary of jazz, introducing bebop as a successor to trad jazz and swing and radically transforming the music's landscape and perspective. Their terminology remained pretty much intact for a number of years, with partisans choosing a path between the diverse genres, until at last the very definition of jazz began to move in new directions with newcomers such as cool jazz, ...
Continue ReadingThe Jamie Baum Septet+: What Times Are These
by Angelo Leonardi
Nella sua nuova incisione Jamie Baum coniuga impegno civile e ricercata varietà di soluzioni musicali con voci e suoni di particolare freschezza. A distanza di sei anni dal precedente Bridges la flautista e compositrice firma l'album più riuscito del suo ensemble, in gran parte rinnovato con l'ingresso del trombettista Jonathan Finlayson, del pianista Luis Perdomo, del bassista Ricky Rodriguez e del percussionista Keita Ogawa accanto ai fidi Jeff Hirshfield alla batteria, Brad Shepik alla chitarra, Chris Komer al ...
Continue ReadingJihye Lee Orchestra: Infinite Connections
by Angelo Leonardi
Su queste pagine abbiamo seguito il percorso discografico di Jihye Lee a partire dal suo esordio (April, 2017) ed il successivo Daring Mind (Motéma 2021), co-prodotto con Darcy James Argue. La collaborazione con quest'ultimo si ripropone anche nel nuovo Infinite Connections, registrato nell'ottobre 2023, che evidenzia un significativo passo avanti nella sua sintesi tra jazz e proprie radici musicali. Che la bandleader fosse un talento eccezionale è apparso chiaro dalla rapidità con cui ha padroneggiato le tecniche ...
Continue ReadingJihye Lee Orchestra: Infinite Connections
by Troy Dostert
One of the most ambitious composers working exclusively in the large-ensemble format, Jihye Lee is now offering her third release, coming on the heels of the well-received April (Self-released, 2017) and Daring Mind (Motéma Music, 2021). Lee is a fearless artist with a seemingly limitless imagination, with a multiplicity of themes and rhythms swirling through her complex, densely-layered compositions. And as always, she once again has a terrific group of colleagues to help bring her rich, multi-hued vision to life. ...
Continue ReadingAdam Birnbaum: Preludes
by Maurizio Zerbo
Il genio di Johann Sebastian Bach ha sempre attratto l'estro dei jazzisti sin dall'era dello swing. Questa sfida è stata raccolta negli ultimi decenni, tra gli altri, da Uri Caine, Brad Mehldau, ed oggi con buoni risultati anche dal pianista statunitense Adam Birnbaum. Il pregio di Preludes consiste nell'aver esteso la tecnica compositiva del mondo barocco con i colori dell'armonia jazzistica. Swing, virtuosismo non compiaciuto, e squisito senso melodico sono al servizio di una reinterpretazione affettuosa e riflessiva ...
Continue ReadingRintaro Mikami
drumsPhotos
Music
The Veil
From: Three Seconds | Kolme ToistaBy Keita Ogawa
Resilience
From: ResilienceBy Keita Ogawa





