Gordon Beeferman, composer and pianist, has created a diverse body of adventurous work spanning opera, orchestral, chamber, and vocal music, jazz and free improvisation, and collaborations with dance and other arts. His chamber opera “The Rat Land,” written with librettist Charlotte Jackson, was hailed by The New York Times as "complex and daringly modern...gritty, fidgety and intriguing.” Beeferman leads two groups which perform his compositions: Other Life Forms, a quartet, and Music for an Imaginary Band, a septet, described by Time Out New York as a "commanding avant-jazz ensemble." A "fully liberated pianist" (Cadence Magazine), Beeferman has performed extensively in New York as well as across the US and Canada; highlights include appearances at Roulette, ISSUE Project Room, the Vision Festival, MATA Festival, Hallwalls (Buffalo, NY), and the Music Gallery (Toronto), and on tour with the Philip Glass Ensemble in Einstein on the Beach. His music has been commissioned and/or performed by the New York City Opera orchestra, Minnesota Orchestra, Albany Symphony, Quartet New Generation recorder collective, Momenta Quartet, American Brass Quintet, eighth blackbird, California EAR Unit, and others. He has received commissions from the Fromm Foundation, the BMI Foundation, and Concert Artists Guild, three BMI Student Composer Awards, a Tanglewood fellowship, and residencies at the MacDowell Colony, Yaddo and the Copland House. Beeferman’s collaborations with choreographers have been produced in New York at the Joyce SoHo, Danspace Project at St. Mark’s Church, The Chocolate Factory, and Abrons Arts Center. His recordings are available on OutNow, Generate, Genuin, and Summit Records. Current projects include The Enchanted Organ: A Porn Opera, a new collaboration with Charlotte Jackson. www.gordonbeeferman.com
"Complex and daringly modern...Mr. Beeferman’s music, with its
skittish melodic lines and pungent atonal harmony, is gritty, fidgety
and intriguing." - New York Times
"...A multitude of curiously interesting motifs - all enamored with
great depth and an irrefutable touch of class." ejazznews
“A rich palette… Rogue States surprises with its density and variety of
approaches.” - Jazzosphere
“The pianist Gordon Beeferman and the percussionist Jeff Arnal create
tightly knit improvisations that range from the angular to the
pastoral"—The New Yorker
“A particularly strong and well-balanced duo excursion… There is a
strong thread or connection that runs though all of this, both players
breathing and thinking as one inter-connected force.” —Bruce
Gallantner, Downtown Music Gallery
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"Complex and daringly modern...Mr. Beeferman’s music, with its
skittish melodic lines and pungent atonal harmony, is gritty, fidgety
and intriguing." - New York Times
"...A multitude of curiously interesting motifs - all enamored with
great depth and an irrefutable touch of class." ejazznews
“A rich palette… Rogue States surprises with its density and variety of
approaches.” - Jazzosphere
“The pianist Gordon Beeferman and the percussionist Jeff Arnal create
tightly knit improvisations that range from the angular to the
pastoral"—The New Yorker
“A particularly strong and well-balanced duo excursion… There is a
strong thread or connection that runs though all of this, both players
breathing and thinking as one inter-connected force.” —Bruce
Gallantner, Downtown Music Gallery
"A fascinating dialogue...conjures up storms." —Village Voice
"First-rate improv from a couple of youngsters charting their own
course with a depth of dynamic and feeling..." —The Wire
"A cohesive unit... meshing superior technical ability with extreme
imaginative powers." —Jazz Review
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