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Album Review

Eric Dolphy: Outward Bound To Out To Lunch Revisited

Read "Outward Bound To Out To Lunch Revisited" reviewed by Stefano Merighi


Il valore incalcolabile dell'opera di Eric Dolphy sta passando un po' in secondo piano nel nostro tempo di ascolti rapidi e deconcentrati. Ben venga allora questa edizione, anche se rimane la perplessità dell'accorpare due dischi che pochissimo hanno in comune e che sono comunque ancora a disposizione negli ottimi originali. Dal 1960 al 1964 (anno della scomparsa), Dolphy ha attraversato un mondo sonoro denso, sfaccettato, rimanendo se stesso sia accanto a Mingus che a Russell, sia nelle sabbie ...

13
Album Review

Eric Dolphy: Outward Bound To Out To Lunch Revisited

Read "Outward Bound To Out To Lunch Revisited" reviewed by John Eyles


Ask any jazz aficionado for their favourite jazz albums of the '60s and the chances are that, alongside such decade-defining choices as Jimmy Giuffre's Free Fall (Columbia, 1963), John Coltrane's A Love Supreme (Impulse, 1965), Andrew Hill's Point of Departure (Blue Note, 1965) and Albert Ayler's Spiritual Unity (ESP, 1965), they will select Eric Dolphy's Out to Lunch (Blue Note, 1964). Now the Dolphy classic has been reissued on Ezz-thetics alongside one of his older recordings, Outward Bound (Prestige, 1964), ...

406
Extended Analysis

Dexter Gordon: Doin' Allright

Read "Dexter Gordon: Doin' Allright" reviewed by Matt Marshall


Dexter Gordon Doin' Allright Blue Note / Music Matters 2009 (1961)

From the first track of this record--in Blue Note's 45rpm double-disc reissue series--tenor saxophonist Dexter Gordon certainly seems to be doing just fine. That opener, “I Was Doing All Right," lilts along with a nice 'n' easy, early 1960s treatment of an insistently positive George Gershwin melody. Gordon doesn't rush his solo, but allows it to intensify naturally from the surrounding breeze. He ...

166
Album Review

The Jaki Byard Quartet with Joe Farrell: The Last From Lennie's

Read "The Last From Lennie's" reviewed by David Rickert


If anyone wanted to record a history of jazz piano, it could have been done by Jaki Byard, an incredibly versatile pianist who could play virtually any style. However, Byard was too cagey to have approached a project of that magnitude, preferring to meld his influences within the space of a single composition. Utilizing a method that at times seemed as if Eubie Blake’s left hard and Cecil Taylor’s right hand were playing in Art Tatum’s style, Byard created a ...

286
Album Review

Jaki Byard Quartet: The Last From Lennie's

Read "The Last From Lennie's" reviewed by Russell Moon


It's Party Time!

Prestige recorded pianist Jaki Byard's April 15, 1965 quartet gig at a suburban Boston nightclub called Lennie's on the Turnpike. Two LPs were subsequently produced from the session, Live! and Live! Vol. 2. Every track save one was subsequently issued on a single reissue CD entitled Live!. The brand new CD called The Last From Lennie's features the one track not included on the earlier reissue, plus unreleased recordings from the same evening.

Byard's Lennie's quartet features ...

205
Album Review

Dexter Gordon: Doin' Allright

Read "Doin' Allright" reviewed by Jim Santella


Dexter Gordon played smooth jazz before that description took on a whole new meaning. Coming up from the Lester Young and Coleman Hawkins tradition, and playing an active role in the start of bebop, Gordon spent a long, albeit interrupted, career keeping his popular tenor saxophone voice before the jazz public. In May of 1961, when this session took place, Freddie Hubbard had recently signed with Blue Note and had just begun his stay with Art Blakey's Jazz Messengers.

This ...

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Music

Recordings: As Leader | As Sideperson

The Last From Lennie's

Prestige Records
2004

buy

Up & Down

Blue Note Records
1963

buy

Doin' Allright

Blue Note
1961

buy

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