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Andrea Wolper

Described as both "utterly original" and "a singer with an uncanny emotional touch for the past 50 years of jazz," Andrea Wolper, "brings songs to life, whatever their source, working in a milieu that begins with jazz and reaches out to embrace an expressive area that is uniquely her own."* 

Andrea appears in clubs, festivals, and concert spaces in the U.S. and abroad. Performance credits as a leader in her New York home base include the Blue Note, Dizzy's Club Coca-Cola (Jazz at Lincoln Center), Mezzrow, JVC New York Jazz Festival, Kitano, Arts for Arts Evolving Series, and more, and she has toured across the U.S., in Europe, and beyond. Working frequently as both leader and side-person, Andrea is "an audacious artist [who] flouts genre limitations, singing songs for the love of it and delivering an inventive, thrilling, appealing musical vision." 

One of the "great jazz singers" included in "The Jazz Singers: The Ultimate Guide” (Yannow, BackBeat Books), Andrea is as accomplished with the Great American Songbook as she is with more unusual repertoire and spontaneous improvisation. Andrea has also made her mark as a songwriter; Cadence magazine calls her "easily superior to the ever expanding population in the singer/songwriter category,” and she has been awarded a number of composing fellowships. 

Andrea’s third CD, "Parallel Lives" (Jazzed Media) received rave reviews, and was included on several Top Jazz CDs and Notable Releases lists for 2011. Co-produced by Todd Barkan, it features her group with guitarist Michael Howell, pianist Kris Davis, bassist Ken Filiano, and drummer Michael T.A. Thompson. Her previous release, "The Small Hours" (VarisOne.Jazz), built around her trio with guitarist Ron Affif and Ken Filiano, was produced by Barkan, and features drummers Victor Lewis and Jamey Haddad, as well as guest artists Lou Marini (flute) and Frank London (trumpet and flugelhorn). 

Andrea also appears as a side person across jazz genres, from holding the vocal chair with the straight ahead Heavenly Big Band to appearing in several performance and recording projects of free jazz bassist William Parker. In addition, she was one third of the improvising trio TranceFormation, with Filiano and the late pianist Connie Crothers; the trio's live CD, "TranceFormation in Concert" (New Artists) was a best vocal CD selection in the 2012 Downbeat critics' polls. 

Andrea curated the "Why Not Experiment?" series at Whynot Jazz Room in New York city for nearly two years (2014-15). She is a past President of International Women in Jazz, and served on the Advisory Board of the Jazz Vocal Coalition. 

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"This album smartly illustrates the vastness of talent lying within . . . [she's] more than a competent singer set to standards and jazz traditions. She is an audacious artist, one unafraid of making mistakes in the heart of discovery. . . She flouts genre limitations, singing songs for the love of it and delivering an inventive, thrilling, appealing musical vision." — Jordan Richardson, Blogcritics

"Refusing, in utterly refreshing ways, to follow each song's furrowed emotional path, she instead opens them up for wider examination, demonstrating that for each yin there is a yang. . . . the album's finest evocation of dichotomous sentiments is Wolper's own The Girls in Their Dresses, where the arrogance of youthful infallibility crashes against the reality of fear, dissillusonment and underachievement. . . " —Christopher Loudon, JazzTimes

". . . what a delivery! Wolper sounds as if she's singing just for you . . . she's come up with one of the strongest and most interesting vocal efforts of the year." —Dan McClenaghan, AllAboutJazz.com

"Easily superior to the ever expanding population in the singer/songwriter category. ... Not Sleeping in Your Arms' is quite striking. It's [a] Wolper original, one that succeeds on the strength of its ambiguously constrained sexuality ("It was lovely not sleeping in your arms"), suggesting, perhaps, a lack of constraint to come. Strong contributions from both Affif and Filiano on the track." —Alan Bargebuhr, Cadence

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Primary Instrument


Willing to teach

Beginner to advanced


Private Lessons I offer individualized instruction tailored to the specific needs of each student. No one-size-fits-all lessons here; exercises are selected based on what you need, in the moment, to develop your voice, your individual sound, healthy technique, and the very joy of singing. My teaching is based on the principals of Somatic Voicework™ The LoVetri method (with Level III certification), an integrative method of vocal training based on function and physiology (in other words, there's no mumbo jumbo: my teaching is based on how the vocal mechanism actually works, and what's healthy). When appropriate, lessons include basic musicianship skills like ear-training and rhythm training, and methods for developing ease, relaxation, and freer vocal expression. I have experience working with adults and children, and beginners are warmly welcomed and encouraged. It's important that you find not only a skilled teacher, but one you feel comfortable with. Please email with any questions you may have, and feel free to schedule a first lesson without any obligation to continue. Coaching helps you develop your performance and interpretive abilities, and can also include focus on repertoire, finding keys, arrangements, leading a band, etc. My approach is always supportive, encouraging, and non-judgmental. Singing is a joyful act! www.andreawolper.com/teaching

Clinic/Workshop Information

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Recordings: As Leader | As Sideperson

Migration of Silence...

Centering Records / AUM Fidelity


Early Morning Star

FMR Records


Parallel Lives

Jazzed Media


The Small Hours

Varis One.Jazz


The Girls In Their Dresses

From: Parallel Lives
By Andrea Wolper



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