Darryl Alexander: Morning Calls

Jazz artist, producer, and composer Darryl Alexander Sr. began developing his skills as a musician in his school band playing trombone, tuba, and drums. Alexander began his recording career with his debut release titled Coast to Coast (1992) followed by 17th Street (1995), both on the Prestige jazz label. 

"Writing Our Story" opens with a slow, reflective tenor saxophone melody from Jeff Kashiwa. As Ken Karsh enters on rhythm guitar, the composition begins to unfold with a sense of quiet intensity. Momentum builds with the soulful single "Seen It Before."  Jackiem Joyner's soprano saxophone introduces an upbeat groove, supported by Wilbur Krebs on electric bass.  Keyboard and guitar solos from Alexander and Karsh add depth and movement.  "Rise Up" brings a smooth, funky rhythm, with Kenny Blake's alto saxophone delivering a sweet and engaging melody.  Pete Tokar's piano solo blends seamlessly into the track's flow.  

A shift in texture arrives with "Sunset After 7" where Latin-inspired percussion and tropical horn elements create a warm, atmospheric feel.  Soft piano by Alton Merrell.   The track closes with a tasteful acoustic guitar solo by Karsh.  "Didn't See It Coming" stands out as a highlight. Kashiwa and Tokar create a strong musical dialogue, supported by a rich rhythm section. The slow groove allows space for expressive phrasing, culminating in a beautifully controlled ending.   "Wonders of Your Love" offers a mid-tempo ballad featuring Jeff Green on soprano saxophone, complemented by Karsh's subtle guitar work.  

"Intrigued" continues the smooth jazz aesthetic, with Kashiwa delivering a soulful tenor saxophone performance that is both relaxed and expressive.  "High Road" unfolds gradually, with Tokar's piano and Rhodes guiding a winding melodic path that fades gently.   "Almost There" introduces layered textures, combinding Kenny Blake's alto saxophone with Alexander's keyboard work and rhythmic programming. Guitar solo by Karsh and solo by Croes on Rhodes add dimension.  "Pacific Blue" maintains the album's momentum, with Blakes's alto saxophone leading into a groove supported by guitar and Rhodes.  The energy peaks   with "No Middle Ground," where percussion, bass, and saxophone drive an upbeat and confident arrangement.  Karsh's electric guitar solo adds a strong finishing touch.

Morning Calls moves with intention, blending smooth jazz textures with layered insturmentation and collaborative energy. Each track contributes to a narrative shaped by melody, groove, and refined musicianship.  

A few words from Darryl Alexander on the passing of bassist Fred Ervin in December 2025.

While Fred was one of the gifted bassists to grace this planet, his humility and kindness is what marked him the most. He had an infectious smile, loved the Lord, and had an energy and spontaneity that came out in his musical performances. It was a blessing to have a great, long lasting friendship for the majority of our lives. Thank you, Darryl Alexander