The sultry contralto cracks through the silence and a relatively new voce is discovered streaking across the skies of North America. This is the dark, sensuous voice of Magos Herrera, an outstanding young vocalist from Mexico. The constraints of singing in that register appear not to hold Herrera back for she often lets her voice soar free of the registers in which she is meant to sing. Her great leaps of gymnastic vocal skill are manifest throughout the woefully short and wickedly brilliant Mexico Azul.
Herrera has a distinctive vocal style. She has perfect pitch and hits quarter tones with electrifying regularity and almost too easily. She modulates her tones with subtle changes in attack and dynamics so that she is often loud and soft when negotiating a particularly difficult and longish passage. Herrera is also an outstanding interpreter of Latin American standards, in this case mostly Mexican music. She is stylishly narrative and with clever changes in vibrato, she highlights changes in emotion. Her sliding deliverysometimes marked with a gust of hot breathcan quickly change the mood of a song and color it with noir tones; where it was once bright and glowing, it now becomes bleak and grayish and dull.
It is near impossible to single out one chart that is better than another, but "Noche Criolla," Tres Palabras" and the aching lament, "Obsesion" are unmatched for their grace, style of delivery and utter memorability. Of course it helps that Herrera is backed by a group of fine musicians, who are masters of understatement and know when to lay back and let a vocalist move forward.
These musicians feed off each other and all offer Herrera a fine vehicle from which she can take off into the azure, to flutter and fly above all else, yet sometimes to sweep down and grace the earth with fabulous narratives of her beloved Mexico. Moremuch moreis awaited form this sublimely talented vocalist.
Track Listing: Luz de Luna; Noche Criolla; Azul; Angelitos Negros; Seguire Mi Viaje; Voz Antigua; Lamento Jarocho; Que Sea Para Mi; Tres Palabras; Obsession; Dos Gardenias.
Personnel: Magos Herrera: voice; Tim Hagans: trumpet; Adam Rogers: acoustic and electric guitars; Luis Perdomo: piano; John Patitucci: bass; Alex Kautz: drums; Rogéirio Boccato: percussion.
I love jazz because it is the only existing music style which let you
I was first exposed to jazz by Gunther Hampel in Hamburg, around 1972.
I met Ornette Coleman, Butch Morris, Karl Berger, Michel Camilo, a.o.
The best show I ever attended was Salif Keita at the Blue Note in
The first jazz record I bought was the Tony Scott and Hozan Yamamoto
My advice to new listeners: when you listen to my music, please be a
part of it.