Home » Jazz Articles » Album Review » Mephiti: Mephiti
Mephiti: Mephiti
"Shilly" opens the album with a pensive alto-saxophone melody over a double-bass countermelody, the string section providing a rich texture of arpeggiated chords. "Hymne I" provides immediate contrast with its sprightly rhythms and overlapping ostinato patternswhich all dissolve into a spacious call-and-response between all of the band members.
"Hymne II" is quite different from the first one; it begins with a gentle unaccompanied kanklės solo, building to a group conversation. "Lenaé" has a similar opening, but with Bert Cools taking a harp-like role on acoustic/electric guitar. "Oude steenweg" is almost a drum solo. Tom-toms open, with a spacious, slightly ominous mood; Stijn Cools adds cymbals to the mix, then finally acoustic guitar joins in for the last minute. The closer, "Kat kreupel," begins with a deliberate guitar/bass introduction, adding an atmospheric saxophone line and cymbal washes.
Like many Belgian groups, Mephiti occupies a space that combines chamber jazz, folk music and minimalism. Recent examples include Veder's Evergreen (Aspen Edities, 2017) and Linus+Økland/Van Heertum/Zach's mono no aware (Aspen Edities, 2017)both of which also share guitarist Ruben Machtelinckx as a group member. Bogaerts' music has its own lyrical melodic signature, and a unique instrumental texture.
Track Listing
Shilly; Hymne I; Hanneke; Krevelstraat; Hymne II; Lenaé; Oude steenweg; Kat kreupel.
Personnel
Erik Bogaerts
saxophone, altoErik Bogaerts - Alto Saxophone Ruben Machtelinckx - Guitar Indrė Jurgelevičiūtė - Kanklės Bert Cools - Guitar & Synth Brice Soniano - Double Bass Stijn Cools - Drums
Album information
Title: Mephiti | Year Released: 2018 | Record Label: El Negocito Records
About Erik Bogaerts
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







