Home » Jazz Articles » Album Review » Markos Chaidemenos: McModal
Markos Chaidemenos: McModal
Track review of "McModal"The song was recorded live in Athens at The Zoo. It has a feel of focused spontaneity that dances through the ear and bears repeated listening very well, capturing Tyner's essence without sinking into unworthy derivatives. Tidbits seemingly inspired by familiar compositions like "The Greeting" spark up as Chaidemenos sticks to an amalgamated theme and lets it roll with a refined roadhouse sensibility that fits the performance mode well.
A solid opening sees Chaidemenos develop some extremely effective sequences. Those continue for most of the song until the pianist defers to rollicking drummer Panagiotis Kostopoulos, who makes the most of a big finishing flurry. Chaidemenos sticks to some fine percussive harmonics of his own, employing a confident, light touch that eliminates heavy-handed repetition during an extended three-note fadeout which circles back smoothly to the introduction.
"McCoy Tyner was one of my main influences and after he passed away I wanted to honor him by writing a song with some of the chords he loved," Chaidemenos told All About Jazz. A relative newcomer to the international scene, Chaidemenos has already amassed quite a respectable volume of work. He studied classical piano at Athena Conservatory and jazz at Praksis Conservatory.
"We recorded the song in March two days before everything closed down (from the pandemic), so we were understandably not as comfortable as possible. The crowd was small and our hearts crashed." There should be nothing sad about that set. The audience may have been small, but the sound that Chaidemenos created was big. Hopefully it won't be much longer before everything returns to a more normal state, so this emerging artist can further share his expertise.
Track Listing
McModal
Personnel
Album information
Title: McModal | Year Released: 2020 | Record Label: Self Produced
About Markos Chaidemenos
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







