All About Jazz

Home » Articles » CD/LP/Track Review

3

The Black Butterflies: Luisa

Doug Collette By

Sign in to view read count
It's a rare musician confident enough in his or her abilities to subsume their own name under a group moniker, but even as saxophonist/composer Mercedes Figueras maintains her independence via a personal presence on the web under her own moniker, she has taken that humble step with the Black Butterflies. Coalescing in 2010, the quintet's previous self-produced albums, 1 De Mayo and Rainbows For Ramon, are both as accessible as they are durable and this new one follows suit.

Luisa, however, has sonic twists manifesting real growth, including most prominently Levi Barcourt's keyboards, usually in the form of crisp electric piano. As on "Merceditas," that glowing sonic texture nicely offsets the warm emotionalism of the leader's sax playing as well as that of the late Gato Barbieri, whose contributions here comprise his last recorded work. The near-whispered vocal on the title track here might have interrupted the luxurious atmosphere created to that point on the record if in fact it did not sound like the introduction to a deepening dreamlike state as introduced on "Hambone"/Adios Nonino" by the vibes of Karl Berger (band mate of Barbieri half-a decade ago).

In keeping with the multiple symbolic interpretations of this band's namesake insect, bandleader Figueras' playing is, in turns, insinuating and squalling, often on the same track, as happens on the homage to 'The Cat,' "Gato's Hat." Saxophonist Tony Larokko's own spirited horn interaction with her ratchets up the intensity of that cut too, while the pulsing percussion, courtesy Fred Berryhill, Bopa "King" Carre and drummer extraordinaire Kenny Wollesen, elevates the heat even further.

Figueras is a composer of no small talent, and while there are but a pair of original tunes here, Luisa showcases that virtue of hers to great effect by the juxtaposition of her originals with works from Astor Piazzolla (the aforementioned opener) and McCoy Tyner ("Love Samba"). In fact, "Brother Nacho, Sister Lola" is arguably the best cut on the album, cooking from the very outset for the whole of its five-minutes plus duration.

Virtually identical in length to the easy sway of the aforementioned jazz piano icon's number here, "Por Una Cabeza" brings Luisa to a close with some finality, but no small amount of taste and discipline either, not to mention a palpable joy that resonates long after the music stops. That latter attribute alone is the mark of a worthwhile entry into any jazz collection, but this record boasts many other virtues as well.

Track Listing: Hambone/Adios Nonino; Gato’s Hat; Luisa; Brother Nacho, Sister Lola; Merceditas; Love Samba; Por una Cabeza.

Personnel: Mercedes Figueras: alto saxophone, vocals; Karl Berger: vibes, melodica; Kenny Wollesen: drums, percussion; Bopa "King" Carre: bongos, percussion; Fred Berryhill: djembe, percussion, body percussion; Tony Larokko: percussion, soprano saxophone, vocals; Rick Bottari: piano; Nick Gianni: bass; Gato Barbieri: tenor saxophone.

Title: Luisa | Year Released: 2017 | Record Label: Self Produced

Tags

comments powered by Disqus

CD/LP/Track Review
Extended Analysis
CD/LP/Track Review
Read more articles
Luisa

Luisa

Self Produced
2017

buy
Rainbows for Ramon

Rainbows for Ramon

Self Produced
2012

buy
The Black Butterflies: Rainbows for Ramon

The Black...

Self Produced
2012

buy
Primero de Mayo

Primero de Mayo

Self Produced
2010

buy

Related Articles

Read You'd Be So Nice To Come Home To CD/LP/Track Review
You'd Be So Nice To Come Home To
by Dan Bilawsky
Published: February 24, 2018
Read We Out Here CD/LP/Track Review
We Out Here
by Chris May
Published: February 24, 2018
Read Best of the Bootlegs 2017 CD/LP/Track Review
Best of the Bootlegs 2017
by Doug Collette
Published: February 24, 2018
Read The Asylum Years CD/LP/Track Review
The Asylum Years
by Doug Collette
Published: February 24, 2018
Read Solo Contra CD/LP/Track Review
Solo Contra
by Daniel Barbiero
Published: February 24, 2018
Read Ellipse CD/LP/Track Review
Ellipse
by Dan McClenaghan
Published: February 23, 2018
Read "Live at the High Noon" CD/LP/Track Review Live at the High Noon
by Doug Collette
Published: June 22, 2017
Read "Is Life Long?" CD/LP/Track Review Is Life Long?
by Mark Corroto
Published: January 19, 2018
Read "async Remodels" CD/LP/Track Review async Remodels
by Nenad Georgievski
Published: February 17, 2018
Read "Serenade for Horace" CD/LP/Track Review Serenade for Horace
by Victor L. Schermer
Published: October 11, 2017
Read "No Answer" CD/LP/Track Review No Answer
by Karl Ackermann
Published: October 18, 2017
Read "Jazz Triangle 65-77" CD/LP/Track Review Jazz Triangle 65-77
by Mark Sullivan
Published: December 20, 2017