All About Jazz

Home » Articles » Multiple Reviews

1

Katsura Yamauchi Duets

Eyal Hareuveni By

Sign in to view read count
Japanese saxophonist Katsura Yamaychi is a unique musician in the Japanese experimental and avant-garde scene. He comes from the industrial town Beppu, far from the traditional creative center around and in the bigger cities of Japan. He picked up the saxophone in the early seventies, but it took until 2012 for Yamaychi to quit his regular job and dedicate himself fully to music.

Yamauchi has developed a highly original approach to his instrument, the alto saxophone. His playing investigates the instrument's nuanced sonic properties as a vehicle for transforming and mutating breaths and spare blows. His improvisations are often minimalist, but stress a melodic, emotional core and are easily accessible, all introducing a new way to experience music as pure, abstract sound.

Yamauchi has, in recent years, recorded with like-minded Japanese sound sculptors, including guitarist Otomo Yoshihide, percussionists Seijiro Maurayama and Tatsuya Nakatani, as well as intentional free improvisers as saxophonists Sharif Sehnaoui and Michel Doneda, and percussionist Michel Doneda.



Katsura Yamauchi / Toshimaru Nakamura

Yokutojin

Ftarri

2012

This recording was done in Yamauchi's hometown. It is a duet with Toshimaru Nakamura, a fellow pioneer of the Japanese Onkyo scene—a movement of musicians who have developed a new minimalist improvised approach to music, based on silence and tiny gestures. Nakamura's instrument or sound source, the no-input mixing board, is a sound board wired so it feeds back into its own input slot, producing a spectrum of white noises, feedback storms, high-pitched tones and other miscellaneous sounds that Nakamura loops and sculpts. The artwork was done by another member of the Onkyo movement, guitarist Taku Sigimoto.

The music is intense, despite its minimalist spirit. Nakamura manages to trigger sounds that challenge Yamauchi's saxophone flights, and occasionally force him to change the course of the improvisation or adapt his level of energy to the attack of noisy storms. There are a few moments where this meeting abandons the typical minimalist aesthetics and becomes, for a few seconds, an explosive, nervous free improvisation, before the dense noise dissolves, once again, into a changing, nuanced series of close-to-silence sonic gestures and explorations that maintain the tension of this shared sound sculpting. As abruptly as it began, it ends with spare, intense interaction.

Katsura Yamauchi / Martin Vognsen

Spanien

Jvtlandt

2013

This is another duet, this time with Danish guitarist, sound collage explorer and designer of sonic installments Martin Vognsen, who created the series of recordings State Changes According To A Wind (Jvtlandt, 2009). The music is, again, minimalist but this time serene, and both Yamauchi and Vognesen focus on exploring the common, distinct characters of their instruments.

The five deeply focused, abstract, almost transparent improvisations emphasize the alto saxophone's sonic properties as a vehicle for manipulating minor, detailed changes within streamed breaths and air. Whether plucked or bowed, the sonic palette of Vognsen's dobro adds tiny, metallic, percussive and often resonating colors, as well as basic drone and ambient sounds.

The highly reserved and almost silent interplay creates enigmatic and surprisingly beautiful melodic soundscapes on the almost cinematic "Two Is Enough," with its precise, feather-light pulsations. "Koma" introduces a soft, resonating sonic canvas, abstracted with bold, abrupt fragments of melodic lines consolidated on the closing "Chatime," this time structured with a fractured East Asian-tinged theme.

Both recordings offer fascinating journeys within delicate forms of sound and time.


Tracks and Personnel

Yokutojin

Tracks: Yokutojin.

Personnel: Katsura Yamauchi: alto saxophone; Toshimaru Nakamura: no-input mixing board.

Spanien

Tracks: Systen One; Two Is Enough; Dolphin; Koma; Chatime.

Personnel: Katsura Yamauchi: alto saxophone; Martin Vognsen: dobro.

Tags

Related Video

comments powered by Disqus

Related Articles

Read Brazilian Brilliance: Kassin and Domenico Lancellotti Multiple Reviews
Brazilian Brilliance: Kassin and Domenico Lancellotti
by Jakob Baekgaard
Published: May 12, 2018
Read Clean Feed 2018 Multiple Reviews
Clean Feed 2018
by Mark Corroto
Published: May 9, 2018
Read Nylon Strings and Other Things: Albums by Jean Chaumont and Kreisberg/Veras Multiple Reviews
Nylon Strings and Other Things: Albums by Jean Chaumont and...
by Patrick Burnette
Published: May 8, 2018
Read Jazzing Up Childhood Memories Multiple Reviews
Jazzing Up Childhood Memories
by Jerome Wilson
Published: April 4, 2018
Read The Art of the Quintet: Voro Garcia and Magnus Thuelund Multiple Reviews
The Art of the Quintet: Voro Garcia and Magnus Thuelund
by Jakob Baekgaard
Published: April 2, 2018
Read The Eclectic Sounds of ears&eyes Multiple Reviews
The Eclectic Sounds of ears&eyes
by Jakob Baekgaard
Published: March 27, 2018
Read "Joao Barradas: A New Place For The Accordion In Jazz?" Multiple Reviews Joao Barradas: A New Place For The Accordion In Jazz?
by Chris Mosey
Published: February 2, 2018
Read "Two Sides of Marc Copland: Quartet and Solo" Multiple Reviews Two Sides of Marc Copland: Quartet and Solo
by Jakob Baekgaard
Published: February 25, 2018
Read "Rudresh Mahanthappa’s Indo-Pak Coalition & Rez Abbasi’s Invocation" Multiple Reviews Rudresh Mahanthappa’s Indo-Pak Coalition & Rez...
by Mark Sullivan
Published: December 27, 2017
Read "Minimalist Guitar: Clouds and Dreams" Multiple Reviews Minimalist Guitar: Clouds and Dreams
by Geno Thackara
Published: March 23, 2018
Read "The Art of the Duo: Keys and Reeds" Multiple Reviews The Art of the Duo: Keys and Reeds
by Geno Thackara
Published: March 11, 2018