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When most people think of jazz big bands, the swinging sounds of large ensembles may come to mind, but of late there has been an emergence of jazz orchestras that perform a broader scope of different jazz styles with an emphasis on complex composition as well has larger than life music. New York composer/trumpeter Justin Mullens brings his own ideas to the field with his Delphian Jazz Orchestra, featuring a sixteen piece ensemble and resulting in some challenging and edgy pieces that are clearly geared for attentive and discriminating listeners.
Notwithstanding the elements of a large jazz ensemble, this is not your typical recording as each of the ten compositions are layered with highly composed horn arrangements, varying tempo changes, and music influences ranging from Ellington, Stravinsky, to Frank Zappa. The complexity of the music easily competes with commissioned works of chamber orchestras, with detailed instrumental sections and heady musicianship.
The musicians in the DJO perform with abundant skill as each instrument gives birth to the written material. This is fully realized on the three part opus "Beowulf" with a cinematic-like theme filled with rich instrument sections, changing moods, and deep solo spots from Mullens and various musicians. Other branches of the music include the addition of operatic vocals on the "Trifler," which oddly works within the context of the music.
The quick changing patterns within each selection keeps things interesting but is also one of the challenges as various themes quickly appear then suddenly vanish. Just when a groove gets good, it changes; yet clearly the music is not geared towards melody alone but also highlighting the deep writing skills of Justin Mullens and the performance of his unique orchestra.
Track Listing: 1. Pietro the Gouty
2. Daphne Laureola
3. The Viking
4. Beowulf Part 1: "Grendel"
5. Beowulf Part 2: "The End for Hrunting"
6. Beowulf Part 3: "Wiglaf and the Dragon"
7. The Trifler
8. The Icecream Man
9. The Apple and the Box
10. A Set of Triggers
Personnel: Chris Cheek (alto sax);
Ryan Shore (alto sax, clarinet, flute);
Dave Barraza (tenor sax);
Matt Glassmeyer (tenor sax, soprano sax);
Matt Cowan (baritone sax);
Larry Gillespie(trumpet, flugelhorn);
Dave Smith (trumpet, flugelhorn);
Erik Jekabson (trumpet, flugelhorn);
Justin Mullens (trumpet, flugelhorn);
Paul Olenick (trombone);
Jacob Garchik (trombone);
Max Seigel (bass trombone);
Danny Weiss (drums);
Masa Kamaguchi (bass);
Peter Thompson (guitar);
Judith Berkson (vocals)
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.