The "red hot" in the title comes from this album's cover photograph. A lovely model with bright red attire worked with Dave Brubeck and Paul Desmond to provide the visual nightclub perspective. The "cool," of course, comes from the quartet's music. Recorded at Basin Street in New York at three dates in 1954 and '55, The Dave Brubeck Quartet works through several programs that offered happy-go-lucky fare. It's the kind that had already led Brubeck and Desmond to success. This version of the quartet features Bob Bates and Joe Dodge. San Franciscans all, the foursome provides cohesive interplay with mellow refrains. "Love Walked In," for example, offers both smooth group counterpoint and fluid soloing, typical of the work from Brubeck and Desmond. Two previously unreleased tracks, "Taking a Chance on Love" and Brubeck's "Closing Time Blues," offer up-tempo adventures that should have been issued long ago. Brubeck solos on the former with spirits soaring, while the latter drives with a pleasant bounce, featuring piano. Wire brushes and walking bass characterize all the sessions, while these last two add a little more. With its great sound reproduction, Jazz: Red Hot And Cool offers an accurate glimpse of the quartet's attractiveness and adds several unexpected surprises.
Track Listing
Lover; Little Girl Blue; Fare Thee Well, Annabelle; Sometimes I'm Happy; The Duke; Indiana; Love Walked In; Taking a Chance on Love; Closing Time Blues.
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.
Jim Santella has been contributing CD reviews, concert reviews and DVD reviews to AAJ since 1997. His work has also appeared in Southland Blues,The L.A. Jazz Scene, and Cadence Magazine.