The harp makes one of its rare appearances in jazz in the hands of Carol Robbins on Jazz Play. She also wrote several of the tunes on this recording and included some standards. And where does that place the music? Right in the mainstream, with some softer shades of what is known as contemporary jazz. The introduction of the latter causes no damage; the soothing waft it brings in is pleasant enough, without detracting from the core.
One of the tunes which gets this treatment is "The Meaning of the Blues. Robbins shades it in pastel colours, while guitariwst Larry Koonse adds to the ambit, picking notes that fall softly and gently, the whole lifted by a percussive bed. The mood is upbeat on "Buddy's Bite, with Steve Huffsteter chomping down on the tenor sax and etching a deep line. Koonse once more shows a sense of harmonics which gives a song a beckoning dynamic, with Robbins adding a lilting Latin melody. While this swings nicely, "Darcy's Waltz comes in on the one-two-three with Bob Sheppard on the tenor saxophone opening the melody delectably and laying the path for Robbins to add her own beguiling imagination, making this one of the better tunes on the set.
Jazz Play is just right for a relaxed evening.
Track Listing: Buddy's Bite; O Grande Amour; Still Light; The Meaning of the Blues; Darcy's Waltz; Tangier; Emilia; Don't Look Back; The Cribbler; Skating in Central Park; Sollevare; I'm Old Fashioned; Sambolero.
Personnel: Carol Robbins: harp; Larry Koonse: guitar; Bob Shappard: soprano and tenor saxophones; Steve Hufstetter: trumpet and flugal horn; Derek Oles: bass; Tim Pleasant: drums.
I've always loved jazz ...my mother was a classical pianist and my aunt was a blues singer, who was managed by Clarence Williams (Bessie Smith's producer). As a young boy, they introduced me to people like Louis Armstrong, Sarah Vaughan, and Jimmy Smith
I've always loved jazz ...my mother was a classical pianist and my aunt was a blues singer, who was managed by Clarence Williams (Bessie Smith's producer). As a young boy, they introduced me to people like Louis Armstrong, Sarah Vaughan, and Jimmy Smith. We hung out at my Aunt Kate's Soul Food restaurant in Harlem after the matinees at the Apollo where I listened to their stories. I knew I wanted to be a jazz musician from then on. My mother wanted me to play piano, but my Aunt bought me a guitar. I've been playing ever since.
At my mother's early prompting, I first sang Blue Velvet at my Catholic elementary school...and all the nuns came running in and asked me to sing again, so I knew I must have sounded pretty good. I've been singing ever since.
I met Tony Bennett in Miami and he inspired me to return to New York. He was a great mentor.
The best show I ever attended is mpossible to say, I've seen so many great shows. From Tony Bennett to Pat Martino, Return to Forever to Weather Report...I've seen some great performances.
My advice to new listeners is don't let jazz intimidate you, the music has something for every listener and it is our American gift to the world.