Home » Jazz Articles » Album Review » Kent Carter String Trio: Intersections
Kent Carter String Trio: Intersections
Cerebral in scope yet sometimes fragile with intent, the band pursues daintily melodic chamber frameworks while also generating a number of unexpected surprises. On "Intentions #1, the artists deliver inwardly moving choruses offset by verbose exchanges, and the strings introduce scraping based tonalities where whimsy and angst share common ground. During this evolving state of musical affairs, the trio communicates strength and passion through mood-altering pastiches of sound. During selected movements, they create a gnomic existence while also inducing trance-like states via circular unison lines. The various plots are ingrained within sonorous interchanges and ominous undercurrents.
On "Who Might That Be? the trio develops a walking motif, accentuated by violinist Albrecht Maurer's nimble plucking maneuvers. Ultimately, the art of improvisation maintains equilibrium with the compositional element. Therefore, the music is not overbearing or steeped within directionless flows. Contrarily, the instrumentalists align technical proficiency with intersecting storylines that bespeak uniformity and an entrancing degree of flux. Repeated listens tend to divulge newfound surprises here.
Track Listing
March 17; Blithe; Eigens Fur Eidens; Intentions #1; Exuberance; Pulapka; Who Might That Be?; Blues Suite; In The Mean Time.
Personnel
Kent Carter
bassAlbrecht Maurer: violin; Katrin Mickiewicz: viola; Kent Carter: bass.
Album information
Title: Intersections | Year Released: 2006 | Record Label: Emanem
About Kent Carter
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






