Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

6

Wee Willie Walker: If Nothing Ever Changes

James Nadal By

Sign in to view read count
Amidst all the hype, posturing and polished glam in today's music industry, when an unpretentious soul singer rises to the occasion and steps up to the microphone, it is a joyous occasion. With impeccable gospel, R&B, and soul credentials, vocalist Wee Willie Walker has been paying dues since his first recording for Goldwax Records in 1967. After shuffling between Memphis and Nashville, he wound up and persevered in the Minneapolis music scene, singing for various acts, and in 2002 put out a self-titled record, leading to fronting local band The Butanes. This association resulted in a series of records, and several tours abroad, yielding the opportunities to keep himself in top performance shape. In 2013 he released an album of covers with guitarist Paul Metsa, done in a laid back duo format. He was prime for a major comeback effort.

If Nothing Ever Changes brings Walker into the studio with a solid line up of premier musicians and fresh material to showcase his remarkable ability to deliver songs in the classic retro soul style which has become his trademark. Produced by harmonica man Rick Estrin of The Nightcats fame, this record is another in the small but growing catalog of The Little Village Foundation, a new label specializing in notable acts worthy of further acknowledgment, founded by keyboardist Jim Pugh, who also plays on the record.

It is clear from the opening intro of "Read Between The Lines" that this is a no nonsense production burning like a coal fired freight train. Walker comes out swinging and does not let up. They flawlessly slide into a ballad version of the Beatles "Help!" which also features vocalist Curtis Salgado, before turning it back up on "Everybody Meets Mr. Blue," complete with flashes of horn arrangements from the Otis Redding songbook. Great care and thought was taken behind the song selections which covers perfectly the wide range of expressions that Walker can interpret successfully. He brings it way down with the original "Not That I Care," a gut wrenching reflection on self-denial gone wrong. It's in those slower ballads as "What Love Can Do," and "Nothing Ever Changes," where the true soul singer comes into his own and the pretenders are quickly weeded out, for it takes an innate talent and ability to tell the story with credibility and heart felt emotion. Walker proves he's got what it takes and puts it on the line, and though provided with appropriate material, it's the singer not the song.

Special mention is in order for the impeccable musicians who played on this project, for they captured the legitimate feeling essential for this music. Recorded in Kid Anderson's Greaseland Studio in San Jose, California, noted for its raw and accurate approach in recording techniques, If Nothing Ever Changes shines as a beacon of hope in the survival of genuine soul music.

Track Listing: Read Between The Lines; Help!; Everybody Meets Mr. Blue; I’ve been Watching You; Not That I Care; Is That It; I Don’t Remember Loving You; Funky Way; What Love Can Do; Hands Of Time; If Nothing Ever Changes; Hymn For Lonely Hearts.

Personnel: Wee Willie Walker: lead vocals; J Hansen: drums, percussion; Randy Bermudes: fender bass; Jim Pugh: piano, organ; Kid Anderson: guitar, lead guitar (11), Moog, Melotron; Bob Welsh: guitars, piano, Wurlitzer, electric piano; Rusty Zinn: guitars, lead guitar (10), background vocals; Terry Hanck: sax; Nancy Wright: sax, solo (6); Frankie Ramos: sax, solo (3); Eric Spaulding: sax; John Halblieb: trumpet; Manny Angel: trumpet; Tom Poole; Farris Jarrah: trombone; Lisa Leuschner Anderson: backing vocals; Donnie Woodruff: backing vocals; Will Russ: backing vocals; Dennis Dove: backing vocals; Nate Ginsberg: piano (11); Lorenzo Farrell: Moog (12); Rick Estrin: harmonica (8); Mike Rinta: horn and string arrangement (9); Timba Harris: violin; Don Dally: viola; Nicci Welch: cello; Curtis Salgado: vocal (2).

Title: If Nothing Ever Changes | Year Released: 2015 | Record Label: The Little Village Foundation

Tags

comments powered by Disqus

Upcoming Shows

Date Detail Price
Jan21Mon
Wee Willie Walker
Crooners Lounge And Supper Club
Minneapolis, MN
$12

Shop

Start your shopping here and you'll support All About Jazz in the process. Learn how.

Related Articles

Read Kresten Osgood Quintet Plays Jazz Album Reviews
Kresten Osgood Quintet Plays Jazz
By Dan McClenaghan
January 21, 2019
Read The Poetry of Jazz Volume Two Album Reviews
The Poetry of Jazz Volume Two
By Victor L. Schermer
January 21, 2019
Read Mesophase Album Reviews
Mesophase
By Glenn Astarita
January 21, 2019
Read Rasif Album Reviews
Rasif
By Chris M. Slawecki
January 21, 2019
Read Live at the Black Musicians' Conference, 1981 Album Reviews
Live at the Black Musicians' Conference, 1981
By John Sharpe
January 20, 2019
Read More Than One Thing Album Reviews
More Than One Thing
By Gareth Thompson
January 20, 2019
Read Wandering Monster Album Reviews
Wandering Monster
By Roger Farbey
January 20, 2019