Make a difference: Support jazz online

Support All About Jazz Your friends at All About Jazz are looking for readers to help back our website upgrade project. Of critical importance, this project will result in a vastly improved design across all devices and will make future All About Jazz projects much easier to implement. Click here to learn more about this project including donation rewards.

131

Sanda: Gypsy in a Tree

Bruce Lindsay By

Sign in to view read count
Try as they might, the world's greatest instrument makers have yet to create anything that comes close to the beauty, joy or emotional intensity of the human voice. If this sounds like a somewhat contentious statement, then Gypsy In A Tree—a follow-up to Gypsy Killer (Knitting Factory Works, 2002)—should provide sufficient evidence, in the form of Sanda Weigl's dramatically evocative vocal interpretations of Roma songs from her childhood homeland.

Sanda, as she is known professionally, sings these songs with passion and respect. The songs tell stories of love, anger, lost youth and old age, and she brings each one to life with a striking intensity and passion. These are songs with universal themes, and Sanda inhabits them so completely that their impact easily transcends geographical or cultural distances. Her delivery is reminiscent of England's Norma Waterson or Ireland's Margaret Barry—a reminder of the way in which European musics have interacted over the centuries. These are not Sanda's songs, or her stories, but she lives every one as if it were, giving voice to the protagonists with honesty.

The musicians on Gypsy In A Tree are superb, and their instrumental backing is in complete sympathy with the moods and emotions of the songs, readily heightening the impact of Sanda's voice. This is only to be expected, were these players heavily steeped in the Roma tradition, but they are not. The core trio is of New York-based Japanese musicians, who bring elements of jazz, R&B and blues to the mix. There's also a distinct tinge of Berthold Brecht's theatricality, due, perhaps, to Sanda's own background in theatre, and to her being the niece of Brecht's wife, Helene Weigel.

Shoko Nagai's accordion and Doug Wieselman's clarinet are, perhaps, the most authentically East European of the instruments in terms of their sound, Nagai skipping brightly across tunes like "Saraiman," while Wieselman is particularly effective on the jaunty "Un Tigan Avea O Casa." It's the rhythm section, of brothers Stomu Takeishi and Satoshi Takeishi, that lends the music a more contemporary aspect, however. Their incisive playing adds drive and depth, and does much to accentuate these songs' emotions, Stomu's mournful bass building the sadness of "Adu Calu' Sa Ma Duc" ("Bring Me My Horse It's Time To Go"), just as his loping, thick-toned, playing combines with Ben's tuba to underpin the happier groove of "Nu Exista-N Lumea Asta" ("There Is No One Like My Brother").

Sanda has been resident in New York for twenty years. Born in Romania, she first heard many of these songs from the Roma people themselves. Her love for the tunes, and the sad and often strange stories told by their lyrics, has remained with her, making Gypsy In A Tree is a genuinely evocative and intensely lovely record.

Track Listing: Intr-o zi la poarta mea; Sun tigan avea o casa; As ofta sa-mi iasa focul; Saraiman; Adu calul sa ma duc; Anii mei si tineretea; Jandarmul; Nu exista-n lumea asta; Toderel; Dans; Alomalo.

Personnel: Sanda Weigl: vocals; Douglas Wieselman :guitar, clarinet; Shoko Nagai: accordion, piano, Farfisa; Ben Stapp: tuba; Stomu Takeishi: electric bass; Satoshi Takeishi: percussion.

Title: Gypsy in a Tree | Year Released: 2011 | Record Label: Barbes Records

Tags

Related Video

comments powered by Disqus

CD/LP/Track Review
Read more articles
Gypsy Killer
Knitting Factory Records
2002
buy

More Articles

Read Not Nearly Enough To Buy A House CD/LP/Track Review Not Nearly Enough To Buy A House
by Mark Sullivan
Published: January 21, 2018
Read Journey to a New World CD/LP/Track Review Journey to a New World
by Troy Dostert
Published: January 21, 2018
Read Disappeared Behind the Sun CD/LP/Track Review Disappeared Behind the Sun
by John Sharpe
Published: January 21, 2018
Read 2018 Neujahrskonzert New Year’s Concert CD/LP/Track Review 2018 Neujahrskonzert New Year’s Concert
by C. Michael Bailey
Published: January 21, 2018
Read Lux CD/LP/Track Review Lux
by Karl Ackermann
Published: January 20, 2018
Read Unleashed CD/LP/Track Review Unleashed
by John Sharpe
Published: January 20, 2018
Read "Beginnings" CD/LP/Track Review Beginnings
by Dan Bilawsky
Published: September 12, 2017
Read "Little Giant Still Life" CD/LP/Track Review Little Giant Still Life
by Glenn Astarita
Published: October 15, 2017
Read "Surface of Inscription" CD/LP/Track Review Surface of Inscription
by Glenn Astarita
Published: November 21, 2017
Read "Prick of the Litter" CD/LP/Track Review Prick of the Litter
by Doug Collette
Published: January 28, 2017
Read "Threes" CD/LP/Track Review Threes
by Troy Dostert
Published: July 14, 2017
Read "Montréal" CD/LP/Track Review Montréal
by Roger Farbey
Published: February 11, 2017