Home » Jazz Articles » Album Review » J Street Jumpers: Good for Stompin'
J Street Jumpers: Good for Stompin'
For Good for Stompin' the Jumpers have put together another mixture of very distinct styles from 1930s Harlem and New Orleans, to the L.A. Swing scene of the late 1940s. The J Street Jumpers are a well-known swing band in our nation's capital, and they spend much of their time filling dance floors all through the mid-Atlantic states. Created in the early 1990s by tenor sax man Charlie Hubel, the band has worked to build admiration from the Washington DC club and music scenes.
The selections on this compilation, many of them Dinah Washington tunes, bring to the fore some of the subtle nuances of the early days of R&B. There is truth in vocals by lead singer Carmen Velarde that tell of a style long lost in a pop music world. The two selections performed by pianist Arthur Gerstein (particularly the almost rockabilly "Boogie Woogie King") present a faithful representation of the vibe from the time. Gerstein's tone reflects the gritty, hard-life sound of '30s R&B.
The group shows how swing/R&B should be done in this cold modern age of CD mass production and mp3 players.
Track Listing
1. Good for Stompin' 2. Destination Moon 3. I Don't Want to Set the World on Fire 4. Blue and Sentimental 5. I Want You, I Need You 6. Fire 7. You Let My Love Grow Cold 8. Dr Jive Jives 9. Shuckin' and Jivin' 10. I Don't Hurt Anymore 11. Til My Baby Comes Back to Me 12. Boogie Woogie King 13. That's All
Personnel
Charlie Hubel, tenor & baritone sax; Don Lerman, alto and baritone sax; Vince McCool, trumpet & flugelhorn; Steven Shaw, trombone; Rusty Bogart, guitar; Adam Friedman, bass; Arthur Gerstein, piano and vocals on tracks 5 and 12; Jeff Lodsun, drums; Carmen Velarde, vocals
Album information
Title: Good for Stompin' | Year Released: 2003 | Record Label: Severn Records
About J Street Jumpers
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







