Yan Pevzner: Forward Motion

Born in Russia, and for several years a resident of New York City, pianist-composer Yan Pevzner is a highly educated artist and teacher who launched his recording career with his 2003 solo debut State of Mind.  He's performed with a who's-who of jazz artists, as well as large orchestra gigs with Hollywood film scoring legend Patrick Williams.  On his superb 2008 outing, Forward Motion, Pevzner attains a fruitful medium by producing top-flight compositions that are designed with a sense of controlled vibrancy and fluent trajectories.

Pevzner employs a strong band, featuring a wonderful foil in Sam Newsome's breezy soprano sax phrasings over the top.  A good portion of these works offer split-second shifts in momentum amid odd-metered unison charts.  But the pianist doesn't get mired in a consortium of technicalities and dissonant harmonic gyrations, which seem to be attributes of some young and well-schooled jazz artists.  On the flip side, Pevzner fuses memorable melodies with resplendent soloing jaunts, while purveying an open-air sound.

On "The Curtain Is Down," Pevzner leads the charge via a rapidly-paced swing vamp, where he injects bluesy trills and lower register block chords into the mix, countered by drummer Tony Moreno's sweeping tom rolls.  During the high-impact movements, the pianist sprinkles radiant harmonic chord clusters and brisk single-note leads within various passages, as he trades buoyant fours with Newsome.  Moreover, bassist Martin Wind lays out a pliant bottom-end, here and throughout.

The piece titled "Watching Me Leave" is a gentle ballad that casts notions of optimism, and elicits imagery of perhaps overcoming a traumatic event.  Yet matters heat up during the bridge, which is a pattern that follows suit with the razor-sharp swing groove heard on the following piece, "Quiet Force."

Pevzner doesn't necessarily outline a new direction in modern jazz.  Essentially, he transmits a broad and rather cunning musical vista that seemingly incorporates the best of numerous jazz-based components.  More importantly, he bridges the gap between the cerebral spectrum while spawning a highly listenable and quite endearing program that intimates alluring characteristics.

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