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Fergus McCreadie: Stream
ByMcCreadie's compositional approach on Stream is characterized by thematic development and control of developing the improvisational space as a trio. The album's structure mirrors the natural flow of water, transitioning seamlessly from turbulent passages to serene, reflective moments. This thematic continuity, achieved through meticulous listening by the trio and the development of motifs and harmonic progressions, becomes a central concept of the album, inviting the audience to immerse themselves in its artistic vision.
"Storm" exemplifies this conversation and development as McCreadie's ability to create tension and release through dynamic contrasts and rhythmic complexities explores a rhythmically driven motif developed through a series of variations, each building in intensity before resolving into a more tranquil section. This cyclical development creates a sense of forward momentum, reflecting the purposeful nature of the trio's interaction and shaping of musical moments.
The technical execution of the trio showcases their deep musical synergy and individual virtuosity. McCreadie's pianistic technique is robust and nuanced, characterized by precise articulation, a rich, dynamic range, inventive jazz and Scottish intermingling, and sophisticated use of pedal techniques to enhance tonal color. His approach to improvisation is informed by a deep understanding of and integration of elements of jazz, folk, traditional Scottish music, and classical traditions seamlessly.
Bowden's double bass playing is supportive and adventurous. It provides a harmonic foundation while engaging in intricate counterpoint with McCreadie's piano lines. His use of arco techniques in tracks like "Driftwood" adds a lyrical quality to the music, while his pizzicato playing in pieces like "Sun Pillars" shows his rhythmic agility and melodic inventiveness. Henderson's drumming is marked by a finely tuned sense of dynamics and rhythmic textures. His use of brushes, mallets, and sticks allows for a broad sound palette that enhances the album's atmospheric quality. The subtle interplay between Henderson's cymbal work and McCreadie's piano in "Snowcap" exemplifies the trio's ability to create intricate, conversational music that is technically demanding and enjoyable to hear.
Stream has an identifiable harmonic language and rhythmic structures. McCreadie employs a modal approach to harmony, drawing on the rich traditions of Scottish folk music while incorporating contemporary jazz idioms. "The Crossing" and "Lochan Coire Àrdair" feature complex rhythmic layering and polymetric structures that give a strong notion of time and meter while still reflecting the Scottish, classical, and jazz influences. The trio's ability to navigate this dialogue with precision and fluidity results from their technical skill and deep musical connection. The album was recorded and mixed by James McMillan at QuietMoney Studios, with mastering by Michael Scherchen at The Mix Factory. The production quality is outstanding, capturing the trio's performance's full dynamic range and tonal nuances. The clarity of the recording allows for an appreciation of the subtle interplay between the instruments, while the spatial placement of the sounds creates an immersive listening experience.
McCreadie's Stream explores the natural world through music. The album's sophisticated compositional structures, interactive technical execution, and thematic harmonic and rhythmic language make it an outstanding European jazz album that offers a wealth of insights into the possibilities of blending folk traditions with modern jazz. It showcases the potential for technical mastery to serve engaging artistic expression.
Track Listing
Storm; The Crossing; Driftwood; Snowcap; Sun Pillars; Mountain Stream; Stony Gate; Lochan Coire Àrdair; Coastline.
Personnel
Album information
Title: Stream | Year Released: 2024 | Record Label: Edition Records
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