After a while you learn there are very few sure things in this world. The team with the highest payroll and all-stars manning every position does not win the World Series every year. In fact, sometimes teams comprised of players who can be charitably described as nobodies even sweep them. Like they say, that's why you play the game.
On paper, Terry Gibbs' Feelin' Good looks like a can't miss proposition. Featuring an assortment of great players, including the inestimable Joey DeFrancesco on Hammond B3 organ, and a collection of great songs, where could it go wrong?
To get to the point, nothing went wrongthe disc is as enjoyable as albums come. Just because the disc is predictably successful shouldn't take away from the fact that there is no guarantee it would work out that way. The musicians did, after all, have to show up and play.
The band steamrolls through "St. Louis Blues, with Gibbs liberally sprinkling his vibraphones over the galloping rhythm. Elsewhere, DeFrancesco applies sympathetic washes of sound on a bluesy "What's New. Guitarist Don Faehnle contributes a rousing solo to the gospel rave "Smoke 'Em Up.
Feelin' Good is a great, soulful record. At eighty years of age, Gibbs plays the vibes like a man less than half his age, and the band seems energized by his vibrancy. It is rare indeed when things turn out to be just as good as you expect them to be, and this record more than meets any lofty expectations.
Smoke 'Em Up; Things Ain't What They Used To Be; Misty; This Masquerade; And That's
Why It's Called The Blues; St. Louis Blues; Wave; Waltz Rubiot; Hey Jim; What's New; Sugar;
Terry Gibbs: vibes; Joey DeFrancesco: Hammond B3 organ; Eric Alexander: saxophone;
Don Faehnle: guitar; Gerry Gibbs: drums; Ray Armando: congas.
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
WE NEED YOUR HELP
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.