5

Divergence Jazz Orchestra: Fake It Until You Make It

Jack Bowers By

Sign in to view read count
Divergence Jazz Orchestra: Fake It Until You Make It Fake It Until You Make It is the second recording by Australia's young and ebullient Divergence Jazz Orchestra, ably co-supervised by composer / arranger Jenna Cave and trombonist Paul Weber (our apology to Weber for not having named him as such in a review of the orchestra's debut album, The Opening Statement). The DJO was formed four years ago (2012) by Cave and Weber "to provide a space where composers and musicians could come together, explore ideas and make music." It carries out that purpose on Fake It, as it did on its earlier recording, by presenting eleven compositions (including half a dozen by Cave) inscribed by Ozzies, all but one of whom are members of the DJO. The lone exception is "Peace Please," written by one of Cave's mentors, Miroslav Bukovsky.

The album opens with trombonist Luke Davis' "On Horseback," which may best be described as "interesting." Michael William Gilbert's lyrical trumpet predominates, weaving its way through a backdrop whose tempos and dynamics are reminiscent at times of Spanish flamenco. Cave's six tunes follow, commencing with the groovy "For Miro," which nods toward the great Sammy Nestico and the Count Basie sound with suitably laid-back solos by trumpeter Paul Meo and pianist Andrew Scott. "A Fantastic Epic (Lessons in Jazz)" is simply lovely, establishing a congenial framework for tenor saxophonist David Reglar and trumpeter Will Endicott, as does the funky "Mrs. Party Pants" for trombonists Weber and Brendan Champion and guitarist Luke Liang. Cave's shapely ballad, "Now My Sun Can Shine Again," opens on a melancholy note and ends with hope, epitomized by pianist Scott's heartening solo.

Cave's "Twerking It Nyabs Style" shuffles implacably forward to a New Orleans-centered beat, earnestly reinforced by Tim Clarkson's baritone sax and Rob Campbell's trumpet, while her colorful "One Woman's Day of Triumph" exudes gladness to reinforce luminous solos by Clarkson and Liang. Champion's "Tones" is yet another persistent groover, enhanced by tenor Louis Klaassen and alto Justin Buckingham, while trumpeter Paul Murchison's "Trinity" is a fast-paced jazz waltz whose soloists are Buckingham, Liang and drummer James McCaffrey (who anchors the orchestra's responsive rhythm section). Bukovsky's "Peace Please," described by Cave (who arranged it) as a "gospel ballad," leads to the dynamic finale, Champion's "Fake It," on which the ensemble proves, as it does throughout, that faking isn't a part of its lexicon. In other words, the DJO is for real.

Our review of the orchestra's Opening Statement ended with a wish to hear what Cave and the orchestra might choose to say next. Well, that second manifesto is now here, and the verdict is that it is in many ways even more impressive than the first. Of course, that is one reviewer's opinion. Listen and decide for yourself.


Track Listing: On Horseback; For Miro; Fantastical Epic (Lessons in Jazz); Mrs. Party Pants; Now, My Sun Can Shine Again; Twerking It Nyabs Styel; One Woman’s Day of Triumph; Tones; Trinity; Peace Please; Fake It Until You Make It.

Personnel: Jenna Cave: composer, arranger, conductor; Paul Weber, co-director, trombone; Paul Murchison: trumpet, flugelhorn; Rob Campbell: trumpet, flugelhorn; Will Endicott: trumpet, flugelhorn; Paul Meo: trumpet, flugelhorn; Will Gilbert: trumpet, flugelhorn; Justin Buckingham: alto sax, flute; Loretta Palmeiro: alto, soprano sax, clarinet; David Reglar: tenor, alto sax; Louis Klaasse: tenor sax; Tim Clarkson: baritone sax, bass clarinet; Brendan Champion: trombone; Tim Coggins: trombone; Luke Davis: bass trombone; Luke Liang: guitar; Andrew Scott: piano, keyboards; David Groves: bass; James McCaffrey: drums.

Year Released: 2016 | Record Label: Self Produced


Shop

More Articles

Read Road to Forever CD/LP/Track Review Road to Forever
by Jack Bowers
Published: February 27, 2017
Read Avenida Graham CD/LP/Track Review Avenida Graham
by Edward Blanco
Published: February 27, 2017
Read TAI Fest #1 (Vol.1&2) CD/LP/Track Review TAI Fest #1 (Vol.1&2)
by Nicola Negri
Published: February 27, 2017
Read Goat Man & The House of the Dead CD/LP/Track Review Goat Man & The House of the Dead
by Dave Wayne
Published: February 27, 2017
Read Backlog CD/LP/Track Review Backlog
by James Nadal
Published: February 27, 2017
Read Acceptance CD/LP/Track Review Acceptance
by Tyran Grillo
Published: February 26, 2017
Read "In Love With" CD/LP/Track Review In Love With
by Eyal Hareuveni
Published: July 25, 2016
Read "One For Cisco" CD/LP/Track Review One For Cisco
by John Sharpe
Published: May 26, 2016
Read "After Dark" CD/LP/Track Review After Dark
by Edward Blanco
Published: March 20, 2016
Read "Picking Order" CD/LP/Track Review Picking Order
by Glenn Astarita
Published: November 17, 2016
Read "Chamber Jazz" CD/LP/Track Review Chamber Jazz
by Dave Wayne
Published: November 19, 2016
Read "Fellowship" CD/LP/Track Review Fellowship
by Dan Bilawsky
Published: February 22, 2017

Post a comment

comments powered by Disqus

Sponsor: Jazz Near You | GET IT  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!