Home » Jazz Articles » Album Review » Steven Kroon: El Mas Alla (Beyond)
Steven Kroon: El Mas Alla (Beyond)
The catchy Kroon composition "Bo Bo's Blues" opens the session with an absorbing Latin-jazz vibe reminiscent of classic recordings by Cal Tjader. The groovy 12-bar jam features in-the-pocket soloing by pianist Igor Atalita, vibraphonist Bryan Carrott, flautist Craig Rivers and tenor saxophonist Roger Byam. Carrot, Rivers and Byam are the main soloists throughout the disc, in-sync with Kroon's soulful, listener-friendly concept. Guest appearances by vocalist Freddy Cole ("I Wish You Love"), violinist Regina Carter ("Superwoman/Where Were You") and saxophonist Steve Wilson ("Don Ramon") add extra flair to the proceedings.
Kroon's rhythm section mates are all adept purveyors of the Afro-Cuban musical dialect. Pianist Oscar Hernandez lights up the keys on his own composition "Precious One," a funky cha-cha-cha. Bassist Ruben Rodriguez holds down the bottom end with a punchy drive, and solos convincingly on the Jaco Pastorius classic "Used to Be a Cha-Cha." Drummers Vince Cherico and Diego Lopez take turns on the trap-kit, matching Kroon's fiery style.
All around exceptional performances, coupled with a well-programmed mix of originals and covers, makes El Mas Alla (Beyond) a highly entertaining listen.
Track Listing
Bo Bo's Blues; Matana; Precious One; Brazilian Sugar; I Wish You Love; Used To Be A Cha-Cha; Steppin; Superwoman/Where Were You; Don Ramon; Minha Saudade.
Personnel
Steven Kroon
percussionSteven Kroon: percussion; Igor Atalita: piano; Oscar Hernandez: piano; John Di Martino: piano; Bryan Carrott: vibraphone; Craig Rivers: flute; Roger Byam: tenor saxophone; Steve Wilson: soprano saxophone; Ruben Rodriguez: bass; Vince Cherico: drums; Diego Lopez: drums; Regina Carter: violin (8); Freddy Cole: vocals (5).
Album information
Title: El Mas Alla (Beyond) | Year Released: 2008 | Record Label: Self Produced
About Steven Kroon
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






