Home » Jazz Articles » Multiple Reviews » Didrik Ingvaldsen's Corners
Didrik Ingvaldsen's Corners
Pocket CornerDog & Moon
DADA
2011
This is the second release of the quintet after 4010Local Time (CCAP, 2009). All the music was recorded live at the studio and features Inglavdsen's manner of composingstrong themes locked within tight and urgent rhythmic framework that are used as road maps for further abstractions and improvisations. Ingvaldsen demands the members of the quintet reshape the course of these themes, color the sounds and add imaginative sonic fragments to these compositions in order to enrich the shared musical canvas.
Some of the compositions' titles and sounds even compare the dynamics of music making to those of the plastic arts as the open-ended "Painting," "Red Desert" and the dramatic "1968." And indeed there are certain similarities in the manners that a musician, especially this creative quintet, or a painter color abstractsonic or materialtextures according to moods, their surroundings or level of energy. Other compositions as "Adebe" and "Dancer" sound as soundscapes that can benefit modern dance companies.
The title-composition emphasizes the way that Pocket Corner communicates and resonates Ingvaldsen's ideas. Alto saxophonist Glenn Brun Henriksen and guitarist Vidar Schanche adds their opinionated perspectives on the theme while bassist Mikaell Olsson and drummer Ståle Birkeland alternate between pulses while maintaining the thematic envelope.
Pocket Corner is a unique band, comprised of five strong musicians.
Extended CornerExtended Corner
DADA
2012
The Extended Corner is a ten-member expansion of Pocket Corner quintet, featuring vocalist Elisabeth Nygaard, known for her work with the British Fringe Magnetic band. Ingvaldsen wrote the music to the lyrics of Norwegian of mezzo-poet Julie-Marie Sundal. The music was premiered in the MaiJazz festival in Stavanger in May 2012.
The spirit of the music swings between the theatrical and suggestive delivery of Nygård, reciting in a cool, reserved tone with healthy doses of charm and humor, stories about varied phases of an intimate relationship, and the orchestral abstractions of the Extended Corner. The compositions still offer a certain degree of freedom to all the musicians, even brief distorted sonic searches and powerful, collective eruptions, but these diversions were set deliberately in order to elaborate and stress the dramatic content of the poems, and all are structured and arranged tightly.
Even the instrumental "Gallinejass" adopts a dramatic, Spanish-tinged, narrative that highlights pianist Øyvind G. Dale as its main protagonist. "Fried Fish" offers a different kind of dynamics. Guitarist Schanche and pianist Dale introduce it with an eerie free-improvised soundscape that transforms it to a playful kind of a Kurt Weill/Bertold Brecht song, and again the whole orchestra occupies it as a framework for an energetic ride.
An arresting set of songs, delivered masterfully by Nygård and Extended Corner.
Tracks and Personnel
Dog & Moon
Tracks: Naked Horse Ride; Painting; Between Chairs; Adebe; Reaper; D.C. & D.E.; Dog and Moon; Red Desert; Wrong Direction; Composition Bleu; 1968; Dancer; Frozen Improvisation #2.
Personnel: Didrik Ingvaldsen: trumpet, synthesizer (9); Glenn Brun Henriksen: alto saxophone; Vidar Schanche: electric guitar; Mikaell Olsson: double bass; Ståle Birkeland: drums.
Extended Corner
Tracks: Carnival; Slowly; Morn; Moving; Pride; Gallinejas; Kyss; Fried fish; Nice; Oh!; Da-Tia-Tiaa.
Personnel: Elisabeth Nygård: vocal; Øyvind G. Dale: piano; Arild Hoem: alto saxophone; Inge Breistein: tenor saxophone; Dominique Brackeva: trombone; Didrik Ingvaldsen: trumpet; Glenn Brun Henriksen: alto saxophone; Vidar Schanche: guitar; Mikaell Olsson: double bass; Ståle Birkeland: drums.
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






