Sean Hamilton: Days of Impermanence

Western Colorado drummer Sean Hamilton possesses a restless creative spirit—something that pulses clearly through his music. Like many artists, whether painters, sculptors, chefs, or writers, Hamilton is compelled to communicate, to express ideas that transcend language. He does so not only through his solo work but in collaboration with musicians, visual artists, and dancers alike.

Days of Impermanence marks another chapter in his evolving solo journey, following Table for One (pfMENTUM, 2019). Across this release, Hamilton alternates between combative and contemplative sonic terrains. His aggressive drumming on tracks like "Pioneers Get Slaughtered But Settlers Prosper" and "All the Miles Are Yours (Epilogue)" serves as a kind of auditory defibrillation and jolts of energy that seem to jumpstart the heart via the ears.

Yet, he is just as effective in the realm of restraint. With the shimmering vibraphone of "Horseshoe (I)," Hamilton ventures into new music territory, while the prepared vibraphone on "I'll Remember This, But Then I'd Forgotten" and "Brightest Lights of Darkest Days" reveals his more introspective side, layering bell tones and subtle snare rattle into delicate, meditative textures.

Hamilton is the kind of artist who can make music out of almost anything—so do not be surprised if a kitchen sink finds its way into his setup next time.