Home » Jazz Articles » Album Review » Louis Armstrong and King Oliver: Creole Jazz

155

Louis Armstrong and King Oliver: Creole Jazz

By

View read count
The story goes that when young Louis Armstrong arrived in Chicago from New Orleans to join King Oliver's Creole Jazz Band, he was so intimidated after hearing the group rehearse for the first time that he tried to flee town for fear that he couldn't hold his own with them. Just a few months later, Armstrong had so overcome his initial shyness and become such a dominant member of the band that for their first recording date, while his colleagues huddled around the primitive recording equipment, he was banished to the far corner of the room so that his horn playing did not sound too overpowering.

Although widely available in other packages, these legendary sessions, made in April and October of 1923 at Gennett studios in Richmond, Indiana, have been reissued in a new, digitally remastered edition from Tradition Records. And they have never sounded so clear or so crisp. Mind you, these are still 75-year old tapes (!), so don't expect miracles. And the music, for all its historical importance and foreshadowing of what was to come, still sounds quaint and old fashioned at times. AND this CD runs a bit short (at just 30 minutes).

But much of what is here is simply remarkable. Armstrong is already playing at a tremendously high level and beginning to introduce his original brand of soloing into the Dixieland ensemble framework. The interplay between Armstrong and his hero Joe Oliver is especially dazzling. If you don't already have a version of Louis Armstrong's very first recordings in your collection, or if you wish to trade up to the definitive sounding version, you'll want to pick up this disc.

Personnel

Louis Armstrong
trumpet and vocals

Album information

Title: Creole Jazz | Year Released: 1998 | Record Label: Label Bleu


About Louis Armstrong

Tags


PREVIOUS / NEXT




Become a Sustaining Member

Get the Jazz Near You newsletter

Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.

Help Build the Future of All About Jazz

Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.

Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.

Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.

More

Airborn
Eddie Parker's Airborn With Rob Luft
Slow Down For Turtles
Luca Benedetti
Relocate
Andres Thor
A Distant Land
Rich Halley 4

Popular

Desolation Row
David Maranha / Rodrigo Amado
2014 NYC
King Crimson
Beneath Lifted Skies
Linda May Han Oh & Melissa Aldana
Talamanti
Patricia Brennan and Sylvie Courvoisier

Get more of a good thing!

Our weekly newsletters highlight our top stories, top album reviews, website news, free songs, radio & podcast shows, news, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.