Home » Jazz Articles » Album Review » Julian Costello Quartet: Connections: without borders
Julian Costello Quartet: Connections: without borders
There's one change to the quartet responsible for Transitionsdouble bassist Jakub Cywinski replaces Yuri Goloubev. Cywinski fits neatly into the line-up, which is notable for the warmth and subtlety each musician brings to the sound. He's an economical player, providing an unhurried but swinging foundation alongside drummer Adam Teixeira. On electric or classical guitar, Maciek Pysz contributes melodic lead lines and fluid solos.
Costello's tenor sound is rich and upbeat, on soprano his tone brightens and his playing becomes more urgentthe soprano, classical guitar and percussion interplay on the title track blends the sound of Iberian and North African influences to excellent effect. The playful "Rainforest" is another soprano-led number, one again combining with classical guitar, and features a lengthy midsection in which Costello and Pysz trade phrases in good-natured competitive spirit as Teixeira and Cywinski take a break. Tracks such as "Endless Train" and "Everyone Has A Story" put the tenor center-stage and tend towards a gentler, more relaxed, approach. Only the 10-minute "Bridges" reaches anything approaching wildness, mainly through Teixeira's muscular drumming. Throughout, Costello proves to be a writer with a talent for inventive and memorable melodies, even when evoking a more mysterious mood on the film noir-like "Splashing In Puddles." The quartet does a fine job of interpreting these compositions. The result is an album filled with beauty and irrefutable evidence for the importance of musical connections.
Track Listing
Everyone Has A Story; Sunflowers; Connections; Nord Vind; Rainforest; Endless Train; Splashing In Puddles; Bridges; Rivers And Rapids.
Personnel
Album information
Title: Connections: without borders | Year Released: 2020 | Record Label: 33 Jazz
About Julian Costello
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







