Zoe Rahman: Colour of Sound

If you have shown your virtuosity on the piano in a variety of live and studio recordings, been recognized as one of the leading lights in contemporary British jazz and won multiple awards, what do you do next? In Zoe Rahman's case, more of the same but expanded and magnified. Most often heard in a trio format, Rahman has assembled seven trusted musicians to create an uplifting album, The Colour of Sound.

Perhaps resulting from her background in classical music, her love of jazz, and her British and Bengali heritage, Rahman is a highly individual pianist, composer and arranger. She released her first album, Cynic, in 2001 (Manushi Records) and has been no stranger to jazz awards ceremonies since then. Her ambition to drive forward is clear, offering new compositions, a new large-ensemble band and bold arrangements.

Reflecting her engagement with contemporary diversity, Rahman's team includes a rhythm section of Gene Calderazzo on drums and Alec Dankworth on bass. Her horn section comprises of Alexandra Ridout on trumpet, Rosie Turton on trombone and her brother, Idris Rahman, on tenor, alto and clarinet. The final slots are filled by flautist, Rowland Sutherland and guest trumpeter, Byron Wallen. As Rahman says: "I've chosen all the players for the strong connection I have with them. My music isn't straightforward and needs people with depth to their playing, who can understand the complexities, but who can also express the emotional side of the music to really connect with the audience."

Starting with rolling bluesy piano, the powerful opening track, "Dance of Time" is driven forward by Sutherland's flute. The horns lead into "For Love." The swirling theme is explored by brother and sister on sax and piano. The clever arrangement makes the band sound like a much bigger unit. The slowly building "Little Ones" features Idris Rahman's searching clarinet and an inventive bass solo from Dankworth.

With a South African rhythm, the upbeat "Sweet Jasmine," features a fine trumpet break by Wallon and fiery drumming from Calderazzo. Turton's trombone is joined by Ridout on flugelhorn as the horns lead into "Go with the Flow." The piano eventually breaks free followed by a fast bass break from Dankworth. There are two contrasting piano trio pieces. "Roots" has dramatic piano improvisation, whilst "Peace Garden" is a gentle piano piece with supportive bass and cymbal washes. With constantly changing moods and evolving rhythms, "Unity" is an ambitious composition with a skillful and inventive arrangement.

Perhaps influenced by Cedar Walton's style, Rahman's playing carries considerable gravitas. Her collaborators bring all their skill and passion to the project, making this an exquisitely crafted album that repays repeated listening. With bold arrangements, dynamic compositions and passionate playing, this album is an easy one to recommend.

If you are planning to be in London on the 6th of September 2023, you may be interested to know that the album is being launched at Kings Place.

Comments